Charter Oak that I have is a very powerful equalizer. In other words you can boost a treble band up to +19 db with NO audible distortion and the resulting SQ is still hi fi, no significant loss of staging, dynamics or image resolution. While in that scenario of full boost that the treble is obviously too much for most records, it still sound GOOD. Still sweet, clean, undistorted, integrated well with the mids to still sound highly musical. It’s just remarkable. Of course, these are the reasons some sound engineers prefer this as the “final act.” All I can say is I can certainly see why.
Equalizer in a Hi Fi system
Just curious to hear everyone’s opinions on using an equalizer in a high end hi fi system. Was at work tonight and killing time and came across a Schitt Loki max $1500 Equalizer with some very good reviews. What are some of the pros / Benefits and cons in using one. Just curious. BTW. I’m talking about a top of the line. Hi end equalizer. Mostly to calm some high frequencies and some bad recordings.
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The right amount of air band in such gear opens up the ENTIRE mix, top to bottom, to better SQ. Timbre improvements too as the missing supra auricular harmonics and highest octave textures that are missing are restored. Again, sorry the million posts. I’m still impassioned, and when good verbiage to express my listening impressions comes to mind, I have to type it. |
@pooch2 I would have bought the Schiit Loki max if I didn’t hear about the McIntosh Q112. I am very happy with it but it woulda been nice to have a remote. |
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