Equalizer in a Hi Fi system

Just curious to hear everyone’s opinions on using an equalizer in a high end hi fi system. Was at work tonight and killing time and came across a Schitt Loki max $1500 Equalizer with some very good reviews. What are some of the pros / Benefits and cons in using one. Just curious. BTW. I’m talking about a top of the line. Hi end equalizer. Mostly to calm some high frequencies and some bad recordings. 

128x128Ag insider logo xs@2xtattooedtrackman

If I ever need another EQ, when my CO dies, it will be DW Fearn VT-5. It’s stereo ganged (one set of controls, not two). It has adjustable master gain. It’s got passive LC circuitry with class A triode tube stages.  It’s a cool $10,900 new. 😆🎧🎶

SPL PQ does stereo link, ganged, also. $6500

if you LOVE analog studio there are many choices

@tlcocks Question. All the Equalizers you are mentioning and now the DW Fearn VT 5 all sound very good from what u are describing. BUT aren’t they wouldn’t they be more appropriate- useful in a mastering studio professional use more then for at home audio ? As also they look very industrial more for studios than for home. 

I have nothing to add to this interesting discussion except for another vote for the Manley Massive Passive. I purchased the latest version with switching power supply, initially to complement a custom speaker with a Purify 6.5" mid woofer and matching passive radiators that handle LF boost well enough to produce high quality bass to 30hz. Over time I’ve used all bands of the Manley with excellent results.

After break-in and experience on how to optimize its relatively complex and sometimes counter-intuitive controls, the Manley piece has become an essential component. It is a bit fiddly to tweak, and once set up properly, wants mostly to be left alone. It has a clean, open sound with tube characteristics that don’t sound "toobie." No hiss on top.

Of course it is well vetted by mastering pros-- which encouraged me to skip past lots of cheaper solutions.

I’ll add that at this level of performance, a studio equalizer is a seductive and cost-effective opportunity to improve a system without endless component and cable swaps. Perhaps an endpoint.

Esoteric K-O1x w/Rubidium clock>SOtM>AtmaSphere MP-1 or Goldpoint balanced passive>Pass XA-160.8 monos or modified BAT VK-75SE.

@tattooedtrackman , as long as they are electrically compatible with consumer hi fi, why not look at the whole field for all their diversity and choices?  Some are more appropriate than others certainly