Downunder, I really admired the Orpheus in it's day, but was fully aware of it's overly neutral nature. Personally I always preferred the Lyra Parnassus, loving it's liquid tonality and lithe bass, but couldn't get on with the Lyra Skala or Helikon which I both felt were a little too ascerbic esp. at the top end.
When I heard the Zu 103 three years ago, I really felt I was getting a lot of what made the Parnassus special, in a really user friendly package (dead easy to set up, sounds great out of the box). And the move to ESCCo modding has really smoothed out any rough edges the stock Zu 103 demonstrated in the treble.
Now I'm getting a sound that leaves me wanting for nothing else.
When I heard the Zu 103 three years ago, I really felt I was getting a lot of what made the Parnassus special, in a really user friendly package (dead easy to set up, sounds great out of the box). And the move to ESCCo modding has really smoothed out any rough edges the stock Zu 103 demonstrated in the treble.
Now I'm getting a sound that leaves me wanting for nothing else.