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Esoteric DV-50: Any cdp's Significantly better?

Is there are anyone out there who has compared the Esoteric DV-50 to a number of dedicated red book only players (or other universal's) and found one that is SIGNIFICANTLY better?

I stress significantly because in my humble opinion the redbook playback (if comparison unit is just a cd cd player only )must be significantly better to justify losing DVD-A, SACD and DVD-Video capability.

I keep hearing there are better one box solutions and being a die hard 2 channel fan I would sell my DV-50 if I found a player in the same price range that sounds significantly better. But every time I do an AB comparision to other well respected units the DV-50 has slayed each and every one.

So far, it has eaten the lunch of the Classe CDP-10, Ayre CX-7, Linn Ikemi, Cairn Fog Vers. 2, Cary 306/300, Arcam DV 27A and CD 33T, Myryad CD 600, etc. It even betters a Sony SCD 777ES/MF Tri-Vista 21 transport/dac combo that I previously owned. I'm only comparing the DV-50 to single box cd or universal players, but I just wanted to mention the Sony/MF combo. I'm sure there are some dac/transport combo's that will handily beat the DV 50.

Some may say that the DV 50 should beat all the above because the of price point ($5,500 vs. average price of $3,000 for the above players). But I disagree since conventional wisdom says that stand alone players (especially with the pedigree of those mentioned above) should produce better redbook than a universal player trying to be a jack of all trades. Only the DV 27A does video plus audio. By the way, I was very impressed with the 27A as just a cd player. Of all the above I would say the Ayre was the best.

Next on my list is the Electrocompaniet EMC 1UP and the Resolution Audio Opus 21. However, I must tell you I am really impressed with the DV 50 and all the great reviews are absolutely true. I've noticed that many people who are using it or comparing to other players are using the RCA analog outs instead of the balanced outs. There is a significant improvement in sound if you use the balanced outs and I'm only interested in hearing comments from people who have compared it against other players using the balanced outs on the DV-50.

My system components are as follows:

B&W N803's speakers & HTM-1 center
Cary Cinema 5 (5 x 200) amp
Anthem D1 Statement pre/pro
Esoteric DV 50
Acoustic Zen Satori Shotgun speaker wire
Nirvana SX balanced interconnects from DV-50 to Anthem
Acoustic Zen Matrix reference II interconnects from D1 to Cary
No after market power cords or isolation equipment

My system sounds great! Those who comment please make sure to specify what specific improvements you heard over the DV 50 and what cdp were you comparing it against.

AVGURU
avguru
audiojoy4
98 posts
 
Hi all,

I see no one has replied to any of my suggestions. Is this an exclusive club, or is it that you all have so much moneythat any suggestion of simple diy on your behalf would be considered 'snobbish'.

Furthermore, not wishing in any way to be too argumentative, but I am a little confused by your use of the term musical. Musical to me means foot tapping, correct timing and rhythm. I get the impression some of youare using this word to mean more realistic in terms of palpability and presence of instrumentalists and vocalists. Perhaps our terminology varies on both sides of the pond.

Please check out someof my suggestions, very simple and dramatic, you will be amazed at what you can do for pennies. I do not mean to put down the work of the professionals there is no doubt they are doing excellent work, but you do not need to be a genious to do a few very simple mods yourselves instead of waiting for the money makers to come up with the suggestions.

regards Luke
tbg
5,263 posts
 
Audiojoy, speaking for myself, I no longer am tempted by DIY for several reasons. Foremost among these is my experience with moders who have a great understanding of possible circuits, such as Allen Wright and John Tucker. I could do simple parts swaps and I grant that much of the advance is just that, but there are other mods that are not just such swaps.

Basically, I am impatient to have the best I can get and have found that even expensive stock units, such as the TEAC Esoterics can be equaled if not bested by mods. No doubt moders make a living doing this, but I do not view my buying their products as serving "money makers."
guidocorona
4,298 posts
 
Luke, thank you so much for your offer to contribute without being argumentative. For this very reason, I may decide to ignore the fact that you may be confusing transient response and coherence across frequency range with what you call 'timing and rhythm'. As this is a very busy thread, not all postings are always responded to equally thoroughly, including many of my own. If an important question from you has not been addressed yet, the best thing is to ask once again. Eventually, someone who feels qualified answering, in fact will do exactly so. Please do not hesitate, to repost your questions in the happy spirit that has characterized the bulk of this discussion.
kana813
956 posts
 
Audiojoy4

"I am surprised that switchmode supplies are being used, i really did think that they were using more conventional power supplies. I do also know that the famed Meitner is also working from switch mode. My general experience has been that switch modes tend to sound leaner, harmonially less fleshed out but with a faster more pushy sound."

Halcro is also using SMPS units in their products. With proper design and noise control SMPS can produce excellent results. Manufacturers use them because they're cheap,save
on shipping weight and the same supply will work on 220-240
or 100-120 VAC.
jayctoy's avatar
jayctoy
4,029 posts
 
Luke I agree with you,palpability should be part of
musicality and emotion also.Thank you for asking.
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