Hi,
I wish I could answer your questions I never had the X01D2 and P03D03 on hand simultaneously. Here is what I have had: DCS Elgar Plus full stack vs P03D03 vs Wadia 921/931. Then sold DCS. Added Playback Designs MPS5 and compared all three. Added Esoteric UX1 (standalone, as transport, also for DVD-A). There is one disc available in DVD-A and SACD that I tried, a Brahms Symphony 1 conducted by Marin Alsop. They have different sound, not sure if they use the same re-mastered file. I will go back and try again since it has been a while. Sold the Wadia (regret it). Sold the P03D03 (don't regret it). Added Zanden 5000 Signature. Added Boulder 2020. These days, I find the areas that I remark are all very similar between the 5000S, MPS5 and Boulder. Odd since the 5000S is NOS and tube, the MPS is 2xDSD and the Boulder has its own sophisticated digital filter at about 16x. The Boulder has by far the most sophisticated analog section. In any event, I sold the 5000S (still have a 5000 MkIII) and am acquiring an X01 with the original P01 style mechanism so I can upgrade it to D2). If we were to work by the transitive property, one might be able to extrapolate a hierarchy of my preference (and tangentially, the sonic properties).
I had an X01 a long time ago and found it a bit sharp edged and tonally bright. Since then I have changed my thinking and look for mixing and matching based on what I want to hear at a given time. This is likely due to having tried many of the top competitors in my own system, not on audition but paid for, simultaneously and with other variables held constant (preamp, amp, speakers).
Babybear, I will let you know my impressions, albeit based on recall. I only liked the P03D03 set on DSD upsampling; as PCM the sound seemed to have a tinge of tinniness. As DSD, the sound became more (too) diffuse, easier to listen to but with a noticeable loss in image clarity and transient definition. I sold the P03D03 because the MPS5 had the same qualities but with a less diffuse sound that I prefer.
I wish I could answer your questions I never had the X01D2 and P03D03 on hand simultaneously. Here is what I have had: DCS Elgar Plus full stack vs P03D03 vs Wadia 921/931. Then sold DCS. Added Playback Designs MPS5 and compared all three. Added Esoteric UX1 (standalone, as transport, also for DVD-A). There is one disc available in DVD-A and SACD that I tried, a Brahms Symphony 1 conducted by Marin Alsop. They have different sound, not sure if they use the same re-mastered file. I will go back and try again since it has been a while. Sold the Wadia (regret it). Sold the P03D03 (don't regret it). Added Zanden 5000 Signature. Added Boulder 2020. These days, I find the areas that I remark are all very similar between the 5000S, MPS5 and Boulder. Odd since the 5000S is NOS and tube, the MPS is 2xDSD and the Boulder has its own sophisticated digital filter at about 16x. The Boulder has by far the most sophisticated analog section. In any event, I sold the 5000S (still have a 5000 MkIII) and am acquiring an X01 with the original P01 style mechanism so I can upgrade it to D2). If we were to work by the transitive property, one might be able to extrapolate a hierarchy of my preference (and tangentially, the sonic properties).
I had an X01 a long time ago and found it a bit sharp edged and tonally bright. Since then I have changed my thinking and look for mixing and matching based on what I want to hear at a given time. This is likely due to having tried many of the top competitors in my own system, not on audition but paid for, simultaneously and with other variables held constant (preamp, amp, speakers).
Babybear, I will let you know my impressions, albeit based on recall. I only liked the P03D03 set on DSD upsampling; as PCM the sound seemed to have a tinge of tinniness. As DSD, the sound became more (too) diffuse, easier to listen to but with a noticeable loss in image clarity and transient definition. I sold the P03D03 because the MPS5 had the same qualities but with a less diffuse sound that I prefer.