Experience w/ Trans-Fi Auio Terminator Tone Arm?

FWIW, in the client's corner at trans-fi.com, the 3rd table down is yours, I believe--with several other VPIs represented, too. Each of those persons has agreed to speak with prospective buyers about their tables.

This post has started out interesting right from the beginning. The purpose of this thread is simply to get more comments about this arm from people who have experience with it. I have done quite a bit of research into the Terminator arm so far, and I am very interested in buying the arm. I'm just trying to get as much info about the arm as I can before putting down my $1200. I have read the review and will definitely go to other forums as Johnbrown has suggested. This is a good idea. I think I over rely on Audiogon out of laziness. It may be that not enough arms have been sold for there to be a large presence of the Terminator arm on Audiogon.

So far, my research has turned up only excellent comments of the Terminator's performance and with the new version just out, the looks of the arm are getting better. The arm seems to have everything that I like in a high end product, excellent performance with a reasonable price that celebrates getting excellent value for the money. I am quite uncomfortable with paying large sums of money for high end audio equipment that just reeks of being overpriced. Keep the comments coming and thanks.

Watch this space; I'll let you know how it works on my Origin Live Aurora Gold Mk.II with a Cartridge Man Music Maker III--it'll be taking the place of the highly regarded Origin Live Encounter Mk.II arm. Mine's on the way right now, should be here next Monday. Pics here of the brand new version, with adjustable VTA-on-the-fly: http://www.audioasylum.com/audio/vinyl/messages/83/837110.html

Trans-Fi has a 30-day money back guarantee, no questions asked. Vic, the owner/creator, is really nice and the most patient guy I've dealt with in audio in many years.

Air bearing linear trackers worth their salt have been too expensive to filter into the dirty mainstream where Regas rule. And, if you have ten thumbs and wouldn't know which end of a hammer to use and haven't been around turntables long, then an airbearing arm can become daunting and too fiddly. Me, I'm off to build a nice little acoustic isolation box out of hardwood for my Rena Air 400 aquarium air pump that arrived today--it's already amazingly quiet, but I want to see how far I can take it.

I have been intrigued with this arm design as it is a low pressure arm vs the high pressure arm i use with my maplenoll. I have not owned one of the premier pivot arms but have owned tables with rega and stock arms on duals and denons. My linear tracker meets all of my expectations.
The system using a air compressor, filters and surge tank were a pain to set up but once i solved that problem, i have an arm that can handle most any record and any cartridge. I love the fact there is no tracking error, no antiskate and floats over most any wavy or warped record. I know this is offtopic since the question is about the terminator arm but the concept is sound and the manufacturing seems solid. This have been discussed on AA and DIY forums many times. You might try these for more info

It's about 4 months I am on the swimming pool edge and uncertain if plunge or not. From what I read this should be one of the best arm regardless price. I remember somebody stating it is better than even Grahams/SME etc etc.

Why I don't open the wallet yet? I am not that good in setting unknown things and a parallel tracker gives me the feeling that I will be in trouble in setting it. Reading instructions there was a note about the possibility of cartridge jumping or skipping while setting it up. This really scared me, although Vic indicated it is a possibility not a certainty.

Kristian, please I would love to read your feedback specifically about the setting it up.
Cheers everybody