Fred, the problem with 3XX series is that it covers two generations of amps.... Results differed greatly, depending on model and internal revision...
* I found the original M302 stereo to be sweet sounding, but lacked ultimate emotionality and dynamics.
* M312 stereo was an almost complete internal redesign... And the difference was telling... Much denser harmonic content, finer macro/micro dynamics.... Result: very involving/emotional to my ears.
M301 monos... Really this was two amp models instead of one.... The first series -- I believe up to serial number 68 or so, was based on internals similar to M302, and showed the same shortcomings. Subsequent serial numbers were based on M312 design, and shared many of M312 sonic attributes... I still preferred M312 though.
Having said this, M725 greatly surpasses M312 and late M301s... While M925 is simply in a totally different league for all audible parameters. I have not heard M825 yet... But my understanding is that it might sound extremely similar to M925, but has half the power supply capacity. I will hear M825 at RMAF next week.
* I found the original M302 stereo to be sweet sounding, but lacked ultimate emotionality and dynamics.
* M312 stereo was an almost complete internal redesign... And the difference was telling... Much denser harmonic content, finer macro/micro dynamics.... Result: very involving/emotional to my ears.
M301 monos... Really this was two amp models instead of one.... The first series -- I believe up to serial number 68 or so, was based on internals similar to M302, and showed the same shortcomings. Subsequent serial numbers were based on M312 design, and shared many of M312 sonic attributes... I still preferred M312 though.
Having said this, M725 greatly surpasses M312 and late M301s... While M925 is simply in a totally different league for all audible parameters. I have not heard M825 yet... But my understanding is that it might sound extremely similar to M925, but has half the power supply capacity. I will hear M825 at RMAF next week.