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Favorite H H Scott Tube Integrated Amplifier

I just purchased an H H Scott 222c integrated amplifier on these very pages. Wow, it is hard to believe that this thing was built in the early 1960's. Using it to drive Rogers LS 3/5a's, the palpability and realism on vocals and lead instruments can be startling at times. It totally blew away some highly regarded solid state gear I was using previously.

H H Scott made other integrated amps with different features, transformers, output tubes and power ratings. I am interested in hearing about other people's experiences with this and other models. I think that this gear is very under-rated, and can stand up favorably to many more expensive modern efforts. Do others agree?
johnnybgoode
karavite
36 posts
 
Thanks Johnny - I live in Philadelphia, but can ship it out. I'm just worried about the selenium rectifiers being so old. I don't want an overall - just preventative maintenance.
johnnybgoode OP
24 posts
 
Can anyone recommend a Scott tech around Philadelphia?
karavite
36 posts
 
Just a FYI, I have run into a variety of audio dealer people who tell me there is no way my old Scott can hold up to ANY new equipment, so I have had a $1200 Jolida 302 tube amp here and a $800ish Rotel integrated ss amp in a AB it just isn't happening - the Scott sounds so much better - same source, same interconnects, same speakers... I tell these same people this and they still say I am wrong. I even called my turntable mfg today on another subject and after asking about my system he also told me to throw out my old Scott and get a Creek integrated. It is amazing to me how people can have such opinions without even hearing the thing they want to throw away. Their arrogance makes it that much more absurd. Again, my background is in actually playing music, but if all this is true, why are vintage guitar amps or effect devices, analog synthesizers... so sought after, even by pro musicians who can afford almost anything?
johnnybgoode OP
24 posts
 
The better vintage equipment has stood the test of time. There was good and mediocre stuff in the vintage era as well, but the dreck has long since fallen by the wayside.
Time will tell if people will still be looking for Jolida and Rotel pieces 30 to 40 years from now. Like the people who designed the Linn Sondek, I think that at Scott they designed around the idea that listening was much more important than specs. Fortunately, they also emphasized build quality so we can enjoy some real music decades later.
exertfluffer
270 posts
 
I owned a Scott 70b or 72b or something like that, as well as Golden Tube amps, Jolida's, and other BARGAIN PRICED TUBE AMPS. The Scott "stock" was good to a point, and enjoyable for cheep nonetheless. Still, it couldn't compete with the other amps!
HOWEVER, in defese of the old Scott, it did sound better than AT LEAST ONE JOLIDA 502A I owned, that I bought with some horrible tubes in it! Once you get regular good tube stock for it, it's no contest however. The Scotts parts are so old and antiquated I presume, the sound isn't so refined or anything. But, still better than cheap midfi any day!
Tubes is goooooooood.
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