@dukeofdoowop
Hi Duke... I think I may have addressed some of your questions, but not directly so I will try to do that here.
When you say over modulated, do you mean "distorted" or just louder than what you think they should be? We use over modulated to mean distortion so I am wondering if you just mean levels. Based on the rest of your thread I am going to assume it refers to level.
Again - what you are describing is the "dynamic" range issue.
Here is how things play in a mix. Dialogue (DX) is king. It is the reference level for the track. We play DX at a comfortable level while we are mixing and everything is relative to that. One of the ways we can make a scene louder without having to kill the audience - (yes believe it or not, MANY of us try to do this with our mixes) is to let the music and/or SFX (sound effects) drown out the DX without having to resort to things just getting stupid loud. As a viewer you know that the car, plane, train, whatever is loud now because the DX is now drowned out by the SFX.
I know this is not what you are talking about, but just thought I would share. Now there is one director in particular who does tend to burry DX (dialogue) with music with EXTREME level. Many of us have complained about this in the industry but again it is the director's vision so be it.
A center channel absolutely should help with your issue. My previous suggestions of raising the center channel by a few dB and maybe engaging the DRC Dynamic Range Correction algorithms built in to most DVD players and/or receivers might help achieve the "version" of the film mix you enjoy more.
There are also film enthusiasts that go full blow Atmos home theater and want that Theatrical dynamic range that is absolutely part of the movie going experience.
I have SO many headphones, but my goto personal music listening are my Focal Utopias. These have weight, detail, depth, dimension etc.... But they don't have what a full range loudspeaker can deliver. It doesn't give me sound I can also feel.
As a violinist I also feel the music. To be honest I haven't played my violin for at least 8 years now... not sure why it just sort of became less and less of my life. Talking about it makes me want to open the case and see if my fingers can still do the dance! Anyway... playing in an orchestra you can absolutely FEEL the music in your body as well as just your ears. I guess it would be like just tasting with your tongue and not your smell - you are not using all of your senses to their fullest... in my opinion.
I have no problem with levels in my own home with regards to film playback and this is not playing things at reference level most of the time. I am not utilizing any compression, but I guess I am ok with a little more dynamic pop than some. HA!
Your iPad experience is simply this. Those limited range speakers are designed to favor the DX range of the audio frequency which if you prefer DX only/mostly will work in your favor. I on the other hand miss the power of the score, SFX that bring to the film experience. Many filmmakers recognize that SOUND if at least 50% of the movie going experience.
Does any of this help???
Again... nobody is right or wrong about their own personal preference(s).
Glad to discuss further but as usual I get lost in the weeds as I ramble on here.
Hi Duke... I think I may have addressed some of your questions, but not directly so I will try to do that here.
When you say over modulated, do you mean "distorted" or just louder than what you think they should be? We use over modulated to mean distortion so I am wondering if you just mean levels. Based on the rest of your thread I am going to assume it refers to level.
Again - what you are describing is the "dynamic" range issue.
Here is how things play in a mix. Dialogue (DX) is king. It is the reference level for the track. We play DX at a comfortable level while we are mixing and everything is relative to that. One of the ways we can make a scene louder without having to kill the audience - (yes believe it or not, MANY of us try to do this with our mixes) is to let the music and/or SFX (sound effects) drown out the DX without having to resort to things just getting stupid loud. As a viewer you know that the car, plane, train, whatever is loud now because the DX is now drowned out by the SFX.
I know this is not what you are talking about, but just thought I would share. Now there is one director in particular who does tend to burry DX (dialogue) with music with EXTREME level. Many of us have complained about this in the industry but again it is the director's vision so be it.
A center channel absolutely should help with your issue. My previous suggestions of raising the center channel by a few dB and maybe engaging the DRC Dynamic Range Correction algorithms built in to most DVD players and/or receivers might help achieve the "version" of the film mix you enjoy more.
There are also film enthusiasts that go full blow Atmos home theater and want that Theatrical dynamic range that is absolutely part of the movie going experience.
I have SO many headphones, but my goto personal music listening are my Focal Utopias. These have weight, detail, depth, dimension etc.... But they don't have what a full range loudspeaker can deliver. It doesn't give me sound I can also feel.
As a violinist I also feel the music. To be honest I haven't played my violin for at least 8 years now... not sure why it just sort of became less and less of my life. Talking about it makes me want to open the case and see if my fingers can still do the dance! Anyway... playing in an orchestra you can absolutely FEEL the music in your body as well as just your ears. I guess it would be like just tasting with your tongue and not your smell - you are not using all of your senses to their fullest... in my opinion.
I have no problem with levels in my own home with regards to film playback and this is not playing things at reference level most of the time. I am not utilizing any compression, but I guess I am ok with a little more dynamic pop than some. HA!
Your iPad experience is simply this. Those limited range speakers are designed to favor the DX range of the audio frequency which if you prefer DX only/mostly will work in your favor. I on the other hand miss the power of the score, SFX that bring to the film experience. Many filmmakers recognize that SOUND if at least 50% of the movie going experience.
Does any of this help???
Again... nobody is right or wrong about their own personal preference(s).
Glad to discuss further but as usual I get lost in the weeds as I ramble on here.