One can almost see Bernstein dancing his way through the second movement tango. The 1964 Columbia recording is remarkable. My go-to version, since its release, has been the one by Kirill Petrenko with his former orchestra.
You don't have to wait for the ASR review. I'll give you the result right now. The latest DAC reviewed by ASR is a $99 Topping. It scores very high at ASR because it is designed to do exactly that. And of course, as a consequence, it gets ASR's highest purchase recommendation. You can be sure that ASR's Topping measurements will outscore both the 005 and the 006 DACs each of which will score about the same as the other and the 006 will not be recommended by ASR. The ASR reviewer does not report ever listening to the Topping, nor the 005 for that matter. And it would make no difference anyway as he does not hear very well.
As I wrote elewhere: The designer of the 005 and 006 has written that he designs by ear and not by measurement. He says designing for measurement is relatively easy for a professional engineer. At various stages he says he made changes to the 005 that could improve measurements but reversed them if the sound quality, as he heard it, was not as good. If that makes people very uncomfortable, they should probably look elsewhere for a DAC. Over the course of this audio hobby, and some of us have been into it for a long time, that approach to design used to be lauded. The designer has given an example in the lack of any feedback in his analog stage. A lack of feedback is often advertised, and is generally understood to yield better sound quality but poorer measurements. Op amp chips with feedback are thought to yield a kind of clean but sterile sound, well recognized in all too many DACs on the market. In other areas of audio, decisions are often made in favor of devices with better sound and poorer measurements than alternatives. That would include tubes and analog sound generally.