Furtwangler's 9th on Arkipel.


I am listening to recording from 1954 of Wilhelm Furtwangler conducting LvB 9th. The 24 bit remastering really gives a sense of presence.
richardfinegold
depends if one places greater weight on performance or recording/mastering/sonic quality. uninspired performances typically put me to Zzzzzz (even if they're being performed live), so i'd always go with interesting & inspired performances.

the Furtwangler performances were recorded 60-70 yrs ago (this roughly translates into 2 to 4 "generations" of listeners). their longevity alone speaks volumes.

lots of good LvB 9th out there. look elsewhere if you want a recording to show off your hifi.

i've got > 2 dozen recordings of this piece & the irony is i don't even like its choral finale.
hi Rok2id, your "hype & much ado about nothing" remark is interesting since it seems more befitting the SACD, DVD-A & other proprietary hi-res formats (but this is an entirely different discussion).
I think the SACD format is a real advancement, but maybe not 'night and day' over a well done redbook.
How can you not like the choral? That is the 9th!!
BTW, If I could have been at any performance live, I would chose the wartime Berlin concert. But for listening in my living room via CD in 2012, I chose Bohm.
Cheers.
Yes. I've never gotten into the 4th movement... Perhaps it's just too overplayed, or maybe it's a German-opera thing?! (i've several Wagner Ring cycles - 2 by Solti, & another by Böhm, but also can't seem to muster the patience to finish each piece either). I find the first 3 movements (of LvB's 9th) thoroughly enjoyable tho.

On SACD format, the trend towards music downloads & p.c. playback does not bode well for proprietary hi-res formats (not to mention improvements in redbook by way of SHM-CDs, K2 mastering, etc.). Hope Sony will open up the DSD source. It'd be a waste for this technology (& my many SACDs) to go down the path of the betamex / laser disc / etc.

P.s.: Furtwangler's wartime concert with BPO was performed (grudgingly by Furtwangler) for Nazi officers at the height of the Nazi propaganda machine... (perhaps one of the reason for the tension, ferocity, & restraint?). Don't think you would hv wanted to be there.
'P.s.: Furtwangler's wartime concert with BPO was performed (grudgingly by Furtwangler) for Nazi officers at the height of the Nazi propaganda machine... (perhaps one of the reason for the tension, ferocity, & restraint?). Don't think you would hv wanted to be there.'

Excellent Point!!! I think the jury is still out on Furtwangler's wartime actions. As it is with other German artists of that era.