Gallo 3.5 vs Merlin VSM-MXe

imho no.
you should be able to produce about 105 db with 60 watts and a little left in reserve would be good for dynamic peaks. 106 is as loud as a symphony can play but in 3000 cubic feet that is extremely loud even if you have the room damped for reflections relative to the sitting position.
60 or 70 watts is all that is needed for most listening. the vsn 100's are 100 watts a side and great for shows. but remember how loudly i played it with the fila in nyc?
and that was about 2800 cubic feet with a 30 watt amp.
i feel most people are 110% happy with 30 watts.
ok?
best, b

I feel that way, given that I'm driving them with RM10 35watts EL84s, and 60 watts Class A, triode, Atma OTLs and never feel underpowered, but was wondering if I was missing "something" - glad to know I'm not, seems just as powerful as when I used the CAT 100 watts, and Music Reference RM9 SE 162 watts. My feeling mid wattage versions of basic circuits sound better than their more powerful iterations IF the the wattage is sufficient. Makes it alot easier to find a nice amp to drive the VSMs.

p, more powerful amps have more output devices and a lower output impedance. as a result you have higher damping and usually feedback.
lower wattage amps tend to sound more room filling and more relaxed. this is part of what you are hearing.
this is a great match for the imp corrected and relatively efficient vsm.
ok?
b

"it is designed for more intimate settings where the lowest octave would overpower the room or bigger speakers/room treatments would dominate the appearance. in these intimate settings large wave launch systems would have too much stratification of the output and sound too complicated losing the appeal to most."

BP,

I hear you and understand completely.

Good monitors or other similar floorstanders that also tend to feature a high degree of driver coherency in close quarters by design, like the OHM Walsh speakers with CLS drivers I am fond of, are the best choice generally for close quarters. Some might be a bit too much in the bass for small rooms perhaps, but there are often ways usually to tame that via placement, treatments, etc. as needed, I suspect. You definitely do not want too big a speaker in a small room just because, that is for certain.

g has a room that is 12 by 12 so moving the speakers to find a null point or using bass traps are probably out of the question. since small rooms have an abundance of bass reinforcement modes, having a large footprint speaker will also limit him greatly. using the right tool for the right job will get him much farther down the road to musical enjoyment. all this talk about 5% of the bandwidth that is not even there in all of the music or recordings is imho, fruitless. his situation is what it is. now perhaps if he was in a larger room and he personally wanted the lowest octave... he was talking about midrange fullness imo.
b