Graham Phantom B44 2 or Taela ?


Am seriously contemplating a 2nd tonearm on a TW AC1. The TT currently has a Triplanar 7 mark 2 with a Transfiguration Orpheus L cart and a Nagra VPS Phonostage, which will stay. Was pretty keen on the Graham B44 with a Lyra Titan i. Am unlikely to get to audition either.
Would love to hear from A'goners who have experienced the Taela in their systems. , more specifically anyone who has done a comparison with the Phantom. Admittedly there are many subjective variables in such an excercise, but any views/comments would be most welcome.
Many thanks.
128x128sunnyboy1956
Sunnyboy, you've got email. I'm in So. New Hampshire.

I also hold the Triplanar in high regard. This is an arm I can happily live with for many years to come. HOwever, the Talea was just something I could not get out of my head weeks after the prototype left my system. I don't really want to part with my Triplanar so I need to find a way (an excuse is more accurate :-) ) to get both arms on my table. It is going to be a bit of a challenge because I can't really use the mono cart ploy 'cuz I don't own more than a dozen mono LPs. If that many.

My experience with Graham is limited to the 2.2 I owned sometime back so I don't think it is relevant to this discussion.
This posting is only hearsay, no experience. Recently my friend just mounted his graham B44 mk2 and Breur on his Raven with black night power supply. To him Breuer is much better. He has a clearaudio statement with linear tracking. To him , breur tonearm with raven set up is oomparable to his Cleaaraudio Statement and he attributed its performance to the Breuar tonearm
How about a TW10.5 tonearm ? A friend has most of the tonearm mentioned except for the Taela.
He feels that the 10.5 is one of the best tonearm he has even in comparo with his Phantom II, Triplanar, Kuzma reference and Da Vinci. he owns a blackknight.
Hm, one of my friends is a collector and got from Nick Mason (Pink Floyd Drummer) a drum stick. I drilled it, mounted my Lyra Olympos, made some adjustments with a string from an original Keith Monks and being far away from a final product: It sounds very clean and has a real good drive (Pink Floyd Drummer). I love it.