Lrsky interesting thinking and comparissons. I think that something very deep exists why there is no distributer in USA and this is still going on now. I can also understand why there is a distributor in Zagreb or in Belgrade for example. These two cities has a very rich tradition for the high audiophile culture already deep in the past. There were so many trully good Hi-Fi magazines even during Yugoslavia times and also many international Hi-Fi fairs were organized so people were constantly in contact with the best in Hi-Fi also at that time. I think that GDP does not play an extensial indicator for that. People in everage are not that wealthy but I can tell you that some of true heart audiphiles are saving the money elsewhere like having Zastava 750 car, more modest appartments just to have the components that they enjoy the most. Passion and crazyness for sure if you ask me :). What is also interesting is if you read some interviews with Mr. Rasmussen you can also discover some of his passion why he likes it here.
Elberoth2: I came to some conclusions that most important what I search in audio reproduction is music with guts, meat and body. That is what I enjoy the most. Tabu gave me that. But still wonder how is that with Callisto, Atilla and Diablo? Are they really offering the same with a tad more transparency and even more dynamics which I already loved on Tabu? If that is true then they are all my kind of treat :).
best, d.
Elberoth2: I came to some conclusions that most important what I search in audio reproduction is music with guts, meat and body. That is what I enjoy the most. Tabu gave me that. But still wonder how is that with Callisto, Atilla and Diablo? Are they really offering the same with a tad more transparency and even more dynamics which I already loved on Tabu? If that is true then they are all my kind of treat :).
best, d.