Has education expanded your listening tastes?


This point recently came up in another thread: a member was of the opinion (if I am paraphrasing them correctly) that critical thinking plays little role in what our tastes in music might be. We like what we like and that's it. So that begs the question for me, how many of us feel that our reaction to music is primarily rooted in the emotional centers of the brain and that rational analysis of musical structure and language doesn't potentially expand our range of musical enjoyment? I ask because I am not a professional musician, but I did take a few college level music history classes, learn to play guitar in my forties (now sixty,) learn to read music on a rudimentary level of competence, study a little music theory, and enjoy reading historical biographies about composers and musicians. I can honestly say that the in the last fifteen years or so, I have greatly expanded what types of music I enjoy and that I can appreciate music I might not "love" in the emotional sense that used to dictate what I listen to. Take Berg, Schoenberg, and Webern for example. Their music doesn't sweep you away with the emotional majesty of earlier composers, but I find their intellectual rigor and organization to be fascinating and very enjoyable. Same with studying the history of American roots music, I learned a lot about our cultural history and enjoy listening to old blues and country music now. How do other's feel about this emotion vs. learning to appreciate thing?
photon46
Rok2kid, That would be my ineloquent way of referring to the fact that as those composers evolved through late Romantic chromaticism and serial techniques, their compositional strategies were more or less guided by adherence to certain principles of composition. Things like Schoenberg and Webern's use of only a single tone row in a given composition.

Arnettpartners, I think you are right about early imprinting. My mom was a violinist, pianist, and organist. My first musical memories as kid are of her playing Maunuel De Falla's music downstairs as I went to sleep. She hated anything anything before Beethoven and after Mahler, but she did give me an early start on appreciation for the classics.
****Take Berg, Schoenberg, and Webern****
I wish someone would.

******but I find their intellectual rigor and organization to be fascinating and very enjoyable.*******

what does 'intellectual rigor and organization' mean?

Cheers
I think clearly exposure leads to appreciation; familiarity leads to contentment. Working at understanding music as you have I'm sure leads to more appreciation of the execution of music. But if you have been raised on classical music, you will always like it. It might eventually not be your favorite genre, but you will always like it.

I grew up singing standard hymns in church. I don't listen to them on my audio system. But when I get to church on occasion, I love singing those old hymns.