As a user of both hi Res downloads and what would be considered an A rated analog set up, my opinion is that all the absolutes have completely broken down. One can longer say that one format is superior, only that one particular pressing or digital transfer of a specific recording may be better than another. If a digital transfer (or LP) was done from a true mixed master, while the other format was done from an EQ or protection master, then the better source/mastering will probably win. There are plenty of HD downloads and SACD that don't have anything above 22khz when the file is checked on a spectrum analysis. There are plenty of hi res digital cuts that are spectacular.
I will preface this all by saying that digital playback is cheaper than analog, as there is no getting around the physics required to make a first class analog rig.
Then there is also the intangible part of the listening experience. Even though a digital file may have better audiophile characteristics when broken down categorically, there is a certain listen ability and enjoyment when listening to LP's on a top rig. MY point is the digital file can sound better on the audio check marks, but the right LP can create an experience that goes beyond the sporting aspect of hearing instruments portrayed accurately.
Case in point is how good music can sound on a car stereo. My theory is that since itS running off a battery the lack of AC grunge allows it to penetrate the hearing system. I heard the same effect With the battery operated Veloce gear at two different shows.
Would anyone say that the ordinary car stereo is amazing audio wise, no but there is A rightness that makes it enjoyable.
Another factor some people have spoken of is that the LP's precondition the signal for better compatibility with speakers. I can't say I completely understand it, but it is something spoken of. perhaps a more limited dynamic range is helping?
One last thing from the recording world that may shed some insight. All the very top rock recording sessions, the ones done digitally, all have the drums recorded to 24 tracks analog, and that is mixed down to a few digital stems which is taken into the the Protools sessions. Modern recording wisdom says that the dynamics of drums are better recorded analog, then digitized.
I will preface this all by saying that digital playback is cheaper than analog, as there is no getting around the physics required to make a first class analog rig.
Then there is also the intangible part of the listening experience. Even though a digital file may have better audiophile characteristics when broken down categorically, there is a certain listen ability and enjoyment when listening to LP's on a top rig. MY point is the digital file can sound better on the audio check marks, but the right LP can create an experience that goes beyond the sporting aspect of hearing instruments portrayed accurately.
Case in point is how good music can sound on a car stereo. My theory is that since itS running off a battery the lack of AC grunge allows it to penetrate the hearing system. I heard the same effect With the battery operated Veloce gear at two different shows.
Would anyone say that the ordinary car stereo is amazing audio wise, no but there is A rightness that makes it enjoyable.
Another factor some people have spoken of is that the LP's precondition the signal for better compatibility with speakers. I can't say I completely understand it, but it is something spoken of. perhaps a more limited dynamic range is helping?
One last thing from the recording world that may shed some insight. All the very top rock recording sessions, the ones done digitally, all have the drums recorded to 24 tracks analog, and that is mixed down to a few digital stems which is taken into the the Protools sessions. Modern recording wisdom says that the dynamics of drums are better recorded analog, then digitized.