Johnnyb53
What about this... ?? the intended directional cues which are in play during the film. Localized sounds. Do they still possess the same snap and pop, or impact which is realized as coming from a directed & intended area?
Or is there a loss attributed to the dispersed sonic field? Ex. ricochets, gun shots, breaking glasss, approaching or departing entities?
My only experience with greater degreed sound field speakers, 180 > 360 degree ambienct speakers was not quite so thrilling as were typical limited field or directional transducers.
They just didn't have the same impact or 'jump' factor.
What about this... ?? the intended directional cues which are in play during the film. Localized sounds. Do they still possess the same snap and pop, or impact which is realized as coming from a directed & intended area?
Or is there a loss attributed to the dispersed sonic field? Ex. ricochets, gun shots, breaking glasss, approaching or departing entities?
My only experience with greater degreed sound field speakers, 180 > 360 degree ambienct speakers was not quite so thrilling as were typical limited field or directional transducers.
They just didn't have the same impact or 'jump' factor.