@arafiq
as you know, the key in system building is understanding the nature of the specific components and then gathering pieces that synergize - this is perhaps the most true in matching speakers with amps
yes proacs and speakers of its ilk can be bright and forward, if used with the wrong amps - so one needs to know how specific speaker lines are/were developed... i have been a proac fan since the 90’s when they burst onto the scene (just love them, still have 4 pairs)... stewart tyler (r.i.p) voiced all response series proacs with audio research tube amps (v70 vt50 vt100 series in the day), so that is what they absolutely shine with, and driven by good tube amps like those they have no harshness or forwardness, just oh so sweet music, oh so real and tactile vocals, excellent full range response huge precise image ... i would venture to say that fritz speakers (i have a pair of carrera be’s) with be tweeters are much the same
(incidentally focals, magico etc in the modern day have also gone with such highly resolving tweeters but they then build the rest of the speaker wrong for tube amps, with 4 ohm or lower impedance, so those speakers are no-win situations with most tube amps, and then, with all but the very expensive, very best solid state amps they are too forward tonally, and soundstage is flat)
conversely, as you also know, harbeth/a shaw voices his speakers with big hegels, so c7’s p3’s super 5’s are best off with similar, ultra smooth high grade solid state, as they have the subtle treble sparkle, bass driver control and current delivery ability that the harbeths with radials are best with
i have never have had little stand mount vandy’s but traditionally, floor standing vandy’s need power, plenty of it, unless you go for the very top ones with built-in self driven woofer/subwoofer sections
hope this helps
as you know, the key in system building is understanding the nature of the specific components and then gathering pieces that synergize - this is perhaps the most true in matching speakers with amps
yes proacs and speakers of its ilk can be bright and forward, if used with the wrong amps - so one needs to know how specific speaker lines are/were developed... i have been a proac fan since the 90’s when they burst onto the scene (just love them, still have 4 pairs)... stewart tyler (r.i.p) voiced all response series proacs with audio research tube amps (v70 vt50 vt100 series in the day), so that is what they absolutely shine with, and driven by good tube amps like those they have no harshness or forwardness, just oh so sweet music, oh so real and tactile vocals, excellent full range response huge precise image ... i would venture to say that fritz speakers (i have a pair of carrera be’s) with be tweeters are much the same
(incidentally focals, magico etc in the modern day have also gone with such highly resolving tweeters but they then build the rest of the speaker wrong for tube amps, with 4 ohm or lower impedance, so those speakers are no-win situations with most tube amps, and then, with all but the very expensive, very best solid state amps they are too forward tonally, and soundstage is flat)
conversely, as you also know, harbeth/a shaw voices his speakers with big hegels, so c7’s p3’s super 5’s are best off with similar, ultra smooth high grade solid state, as they have the subtle treble sparkle, bass driver control and current delivery ability that the harbeths with radials are best with
i have never have had little stand mount vandy’s but traditionally, floor standing vandy’s need power, plenty of it, unless you go for the very top ones with built-in self driven woofer/subwoofer sections
hope this helps