High Efficiency Speakers Your top 3 or more


Not taking cost or musical preferences into account what are the top 3 high efficiency speakers you've ever heard, overall?
mmike84
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Most high efficiency speakers have fairly tight tolerances in the voice coil gap which makes them very reactive. The back EMF they present to amplifiers that use a lot of feedback is enough to confound the amplifier, as the feedback signal thus contains induced errors.

This is why transistors in general tend to sound shrill on horns and why horns had such a difficult road back into high end audio in the last 20 years- the bad rap of a bad combination.

However if not so much a tube/transistor thing as it is the amount of feedback used by the amplifier. Transistors do tend to use a lot more than tubes, and there are tube amps that don't use any. There are some transistor amps that don't any feedback also and not surprisingly they don't do so bad on horns.

I heard the new field-coil Shindo speaker at THE Show. It seemed to have some potential (no pun intended) but was clearly not playing the bass that you would expect out of a driver and cabinet that large. The material I played has information in the mid-20s, and my suspicion is that the Ongaku amplifiers that were being asked to play the bottom end were simply not up to the task, but its only a suspicion. When hearing any system there is always the tendency to place the blame of shortcomings where your biases lie... regardless, I think that the speaker they showed is really something to watch.

I'd really like to see how it stacks up against the Classic Audio stuff- they cost twice as much as the Classic Audio speakers do.
"...while in general ICE, Tripath, and other chip amps are VERY good for the money they are still missing some of what SETs do. IME."

What do SETs do that other amps cannot?

Can't the reverse be true also?
I'm just wondering if there is anybody out there who would recommend building a system around a SET amp to an audiophile who listens to a lot of modern popular music, like metal, synth pop, rap/hip hop, etc.

For other more acoustic forms of music solely, I might go there first, but not for those things.

My point about Class D amps is that this technology IS well suited for these kinds of music, plus it does very well with more acoustic forms as well, though maybe perhaps not to the nth degree as might a top notch SET/FULL range high efficiency speaker setup.