I'll weigh in as someone who designs this stuff, that redbook is in fact very very good. In fact i have been blogging on digital formats, compression, etc and trying to undo some myths.
(Sonogyresearch.com/blog if you care)
Audiophiles' suspicion of redbook has been fueled by what can be either mis-steps or arrogant errors in the industry. Perfect sound forever (this in 1985). Bits are bits on digital interfaces a9whcih have a large analog component in timing), rotten early digital mastering and reconstruction filter.
Yet, as noted, we are figuring it out. But some in fact were pretty good > decade ago. One stand out at its time was the Theta DS-Pro. I still have one and switch to it occasionally - and it can make great music with great recordings. Of course, like any clear lens, it can also make awful sounds with awful recordings. But that's the two-edge sword of reproduction, as opposed to production.
G
(Sonogyresearch.com/blog if you care)
Audiophiles' suspicion of redbook has been fueled by what can be either mis-steps or arrogant errors in the industry. Perfect sound forever (this in 1985). Bits are bits on digital interfaces a9whcih have a large analog component in timing), rotten early digital mastering and reconstruction filter.
Yet, as noted, we are figuring it out. But some in fact were pretty good > decade ago. One stand out at its time was the Theta DS-Pro. I still have one and switch to it occasionally - and it can make great music with great recordings. Of course, like any clear lens, it can also make awful sounds with awful recordings. But that's the two-edge sword of reproduction, as opposed to production.
G