"
Place them in a 15 by 20 room, a standard sized listening room for many,
and yes, they would be overwhelming, both visually, and acoustically.
Now, knowing who you are, I can understand your viewpoint.
"
LOL yeah they are not real esthetic I have to admit. I find that I listen to music quite often at 70 to 80db though so it is not like I have them thumping a lot. Way to easy to harm your hearing. I went through a lot of speakers to get to this point though including many La Scalas. I have four sets in the shop right now in various stages of restoration so I am quit familiar with them.
What started my love affair with bigger was a set of KP-450's which were a two way system with two 15" woofers and a fairly large horn with the 1132 driver on them. The sound was so compelling and so superior to La Scalas that I never looked back. People that have owned both the next generation which was the KPT-456, which sounded even better, and KHorns, which as you know is better than La Scalas, prefer the KPT-456's. Problem with older used gear is they are quit scarce and you can look today for these and find KHorns or La Scalas most every day. But not the KP or KPT's because once the movie theaters sell them off and they get into private hands they stay there and are not sold again except between friends from what I see. What I have really been seeking over the years was something that could play classical organ music like Toccata and Fugue in D Minor just like I was there in person. I wanted to hear and feel it just like real life. But then also play Cello or bagpipes or classical rock or blues just like I was there too. It is amazing how many low five string bass notes people have no idea even exist in music because their system cant play that low or big kick drums. And yes large horns deliver the crispest most precise tight bass out there along with punch you can feel and direct radiating speakers don't. Although I have to admit the KPT 456 came somewhat close but with muddier sound.
I went to Metropolis Outfitters in Paducah KY once because Cory had the new La Scala III's and a Jubilee with the 402 horn on top in his sound rooms. The La Scalas looked really nice but paled into insignificance compared to the Jubilees. Now the La Scalas III's are as good a speaker as many will ever hear since they have gone to 1" sides and the resonance problem is gone. Problem is there is just so much more that can be had for the asking. I can tell you flat out though that big speakers do not overwhelm rooms and there are guys on the Klipsch forum with those fabulous MCM 1900 systems in their houses along with Jubilees. I have personally sold 10 sets of KP450's and KPT-456's to home owners and they are for 200 seat theaters and they love them. Kind of industrial looking for sure but the detail and superior listening experience at any volume just works in any room. If you are ever near southern middle Tennessee you are welcome to stop in and hear them just PM me.
" A lot of love for Klipsch speakers on this thread. Hmmmm, I wonder why there are so many for sale on the US audio mart website? "
Might be because there are 33,000+ forum members and who knows how many buyers of Klipsch so yes they do show up and don't last long unless grossly over priced.
" 60 foot sound stage LOL sounds to me like someone has no experience with large horn systems. I sit in my office listening to a community leviathan system in nearfield low level rooms 14x17 it images wonderfully massively low in distortion interacts little with walls floor etc has a normal soundstage like a normal speaker would as do my Shearers my giant RCA front horns my electronluv horns my WE horns etc etc all just reproduce music in a natural real way. I just don’t get why state absolutes when you have never experienced what you say all big horns do? I can understand size issues but the rest is just uninformed bias. "
100% agree. Looked up that horn and it looks like they were thinking like Danley but years earlier. I would like to hear those some day. Near field indeed LOL!
LOL yeah they are not real esthetic I have to admit. I find that I listen to music quite often at 70 to 80db though so it is not like I have them thumping a lot. Way to easy to harm your hearing. I went through a lot of speakers to get to this point though including many La Scalas. I have four sets in the shop right now in various stages of restoration so I am quit familiar with them.
What started my love affair with bigger was a set of KP-450's which were a two way system with two 15" woofers and a fairly large horn with the 1132 driver on them. The sound was so compelling and so superior to La Scalas that I never looked back. People that have owned both the next generation which was the KPT-456, which sounded even better, and KHorns, which as you know is better than La Scalas, prefer the KPT-456's. Problem with older used gear is they are quit scarce and you can look today for these and find KHorns or La Scalas most every day. But not the KP or KPT's because once the movie theaters sell them off and they get into private hands they stay there and are not sold again except between friends from what I see. What I have really been seeking over the years was something that could play classical organ music like Toccata and Fugue in D Minor just like I was there in person. I wanted to hear and feel it just like real life. But then also play Cello or bagpipes or classical rock or blues just like I was there too. It is amazing how many low five string bass notes people have no idea even exist in music because their system cant play that low or big kick drums. And yes large horns deliver the crispest most precise tight bass out there along with punch you can feel and direct radiating speakers don't. Although I have to admit the KPT 456 came somewhat close but with muddier sound.
I went to Metropolis Outfitters in Paducah KY once because Cory had the new La Scala III's and a Jubilee with the 402 horn on top in his sound rooms. The La Scalas looked really nice but paled into insignificance compared to the Jubilees. Now the La Scalas III's are as good a speaker as many will ever hear since they have gone to 1" sides and the resonance problem is gone. Problem is there is just so much more that can be had for the asking. I can tell you flat out though that big speakers do not overwhelm rooms and there are guys on the Klipsch forum with those fabulous MCM 1900 systems in their houses along with Jubilees. I have personally sold 10 sets of KP450's and KPT-456's to home owners and they are for 200 seat theaters and they love them. Kind of industrial looking for sure but the detail and superior listening experience at any volume just works in any room. If you are ever near southern middle Tennessee you are welcome to stop in and hear them just PM me.
" A lot of love for Klipsch speakers on this thread. Hmmmm, I wonder why there are so many for sale on the US audio mart website? "
Might be because there are 33,000+ forum members and who knows how many buyers of Klipsch so yes they do show up and don't last long unless grossly over priced.
" 60 foot sound stage LOL sounds to me like someone has no experience with large horn systems. I sit in my office listening to a community leviathan system in nearfield low level rooms 14x17 it images wonderfully massively low in distortion interacts little with walls floor etc has a normal soundstage like a normal speaker would as do my Shearers my giant RCA front horns my electronluv horns my WE horns etc etc all just reproduce music in a natural real way. I just don’t get why state absolutes when you have never experienced what you say all big horns do? I can understand size issues but the rest is just uninformed bias. "
100% agree. Looked up that horn and it looks like they were thinking like Danley but years earlier. I would like to hear those some day. Near field indeed LOL!