How can power cords make a difference?


I am trying to understand why power cords can make a difference.

It makes sense to me that interconnects and speaker cables make a difference. They are dealing with a complex signal that contains numerous frequencies at various phases and amplitudes. Any change in these parameters should affect the sound.

A power cord is ideally dealing with only a single frequency. If the explanation is RF rejection, then an AC regeneration device like PS Audio’s should make these cords unnecessary. I suppose it could be the capacitance of these cables offering some power factor correction since the transformer is an inductive load.

The purpose of my post is not to start a war between the “I hear what I hear so it must be so” camp and the “you’re crazy and wasting your money,” advocates. I am looking for reasons. I am hoping that someone can offer some valid scientific explanations or point me toward sources of this information. Thanks.
bruce1483
Mhubbard. Reasonable thinking about including high quality cords with Krell. Unfortunately, this thread is an excellent example of everyone NOT agreeing as to the value of such products.

What would Krell do when a good customer avoided buying their product, refusing to be forced to pay the extra $150.00 or $250.00 for the cord? This would apply doubly, if that customer believed it was an ineffective and unnecessary expense.

It's the very reason manufacturers traditionally do not include NOS tubes or isolation devices for their products. Krell and others are better off allowing the customer to make these decision them self, even if you are correct that the product would benefit from the inclusion.
i tink albert is correct. one fact that he fails to mention is that many mfr's actually *do* recommend the purchase of aftermarket power cords. some, however, do not...

fwiw, doug s.

702 makes some valid points in my opinion. I rarely do blind testing, but several days ago I did and was surprised by the results. A friend made two recordings using different cables from the source to the recorder. Then he played the two recordings for me without telling me which was done with which cable. ( A single blind test ).

I found myself trying to guess which was which by paying attention to his non-intentional clues. I also kept changing my mind about how A sounded to me, then about how B sounded to me. Without any reference or the armor of my preconceptions, I felt a bit naked. For the first time I feel like I experienced what the double-blind proponents were talking about.

I finally got my friend to give me the remote and stop giving off any clues. Of course, some "damage" was done by now because he'd given clues already. I continued the test and finally was able to form my opinions of the similarity and difference between A & B. It took longer than a non-blind test normally takes me.

The blind test forced me to rely on different things than I'm used to. I was uncomfortable with the change. I also felt some stress to furnish information without being able to rely on my bias.

My conclusion is that I will use all methods in the future. I will use single and double-blind tests when it's possible to do so, as it takes extra work and people to set up. And, I will do my own sighted listening tests.

I know this is an endless debate and even banned outright to discuss on Audio Asylum, but I really think there's a place for all forms of testing.
Lawyer: I will be doing the very same test that you just performed, in the near future, when I set up a new CDR to record tape (old cassette collection) to digital. I need to know which IC is best for the recording process which may be completely different than their playback ability. Now I regret selling some of my extra IC's as one of them may have been a clear winner for this application.
Yes, we discovered that the IC that sounded best for playback did not sound the same for recording as it did in playback mode. We're still deciding which is "best".

One of the IC's gave less record surface noise on the CDR. The other gave less record surface noise on playback mode?