How could High End audio be improved?

1. The economy needs to improve.

2. Follow the home theater model: put good systems together for beginners and market system synergy rather than individual components.

3. Follow the Japanese model: Have manufacturers sell equipment direct to consumers at close to cost in order to create demand.

4. When people attend concerts, they do not close their eyes during the performance. Generate source material that gives the full concert experience - audio and visual. The human element is missing.

5. Develop an R2D2 (Star Wars style) that can project holographic images of performers playing music in your living room, especially Jazz.

6. Dealers should have AT LEAST as much used equipment in their showroom as new. Put the Audiogon bargains in the dealer showrooms so people can audition equipment they can afford. Have dealers showcase used equipment rather than let it sit on dusty shelves.

7. Get rid of this silly "exlusive dealer" idea. Dealer showrooms lack variety and the practice does NOT succeed in limiting competition. People have no basis for comparison and no choice so they walk out without buying anything. Haven't any of these people been to business school? People buy when they are given choice; not when their choices are restricted.

A reliable way to know what the heck is going on.
OR
Walmart starts selling it.

Many people aren't going to bother.

Good topic. My American take is same/similar to those who posted before me.

My initial thought is that the main problem is that only a small number of people are in to audio. If there was more people who made a *nice stereo a greater priority, components would be less expensive and easier to audition. Non-audiophiles think how marketers and advertisers want them to think, like how American consumerism thinks, and features and crap replace *nice.

You practically have to be an audiophile to own a *nice system and that's a shame. Hi-fi is unknown and intimidating and a little freakish, and audiophiles do not make any better with the i-am-better-than-you garbage.

There are others, a lot of people who like a nice sounding stereo, but have never heard of B&W or ML. They buy Bose et al. because that is they best brand they know. That comes back to marketing. Linn could have been Bose (Linn the Bose of hifi right?, but still better than Bose :).

Directly for current audiophiles is lack of local selection for audition. Without the resources to audition philes look to opinions and epinions and marketing mags. Instead of Herbie H., we get Sammy T. Its impossible to know what is good looking at mags and people you don't know. Thank god for the used market.

Referring to Ozfly's first post, I think it is lack of available selection and not a lack of objectivity that is the problem. Lack of objectivity is part of fun/challenge and is the more artistic side of the hobby.

To solve the lack of hi-fi interest is the $45,000 question. As individuals we could have less attitude. And I would like to see one company just break through the barrier. One idea is for more home hi-fi companies make a bridge to car audio. There are lots of kids in car audio. They are pretty savvy and sound quality (not just SPLs) is a high priority for a lot of them.

People don't have to buy Home Theater so they can hear dinosaur feet walking around their living room, they don't have to buy Bose or some crappy rack system, and kids don't have to buy recordings from a genre that has not produced a single memorable song in over 20 years. In feudal days the aristocracy determined what artists and fine craftsmen would produce. Now, the tyranny of the wealthy patron has been replaced by the tyranny of the consumer. OK, so maybe the audio consumer did not demand the digital player -- that was forced down our throats. But audio mediocrity is basically consumer driven.
The main problem for the high end designer-manufacturer is that their retailers are being undercut by the internet -- primarily Audiogon and EBay. It was possible for high end manufacturers to enjoy respectable margins when they could protect their authorized dealers from price competition. But now, you can buy pretty much anything you want at deep discount. At first glance this would appear to be a wonderful development for the sophisticated consumer -- those of us who do our own research and can bypass the retailer (or the unsophisticated buyer with an audiophile friend). But is it really? How long can the high end designer-manufacturers and retailers last under these conditions? Could savvy buyers force high end manufacturers either out of business or into less service-oriented marketing?

Products that actually PERFORM. The general public is very aware that you get what you pay for, and also aware of diminishing returns. I don't see hard core hobbiest as the real problem, a lot of us have a rediculas wealth of knowledge that would allow us to get use out of rediculasly good components, but that has no real impact on the general public as far as getting an interest in high end audio. I really beleive that the public is ready and willing to hear and buy superior products, but they have to be convinced, and the only way they will hear it is if it is available. We tend to make it worse by treating affordable high end as junk, when we are trying to convince non-believers that there is really something to it. The vast majority of us didn't start out with the most expensive component of any kind, we 'got' the bug because we heard, got proof, that buying a product geared towards true quality of reproduction was a better buy than the separate market we call 'mass market'. Where are the products that are intended to compete directly with the mass market? Where are the reviews? If they exist, are they accessable to the general public?
My solution would be to actually have them set up and performing, so they can be heard. (I don't mean just there, they should be performing to they're potential). We all know it is possible to put together an analog rig that is far superior for the money that would compell the average guy to start playing his/her records, I would suggest actually doing it, so it could be heard in the showroom and be ready, and PERFORMING, for the consumer.