How do I smooth out violins?

"Trust me, if they had found anything wrong or bad with a 350$ CD player, they would have shouted it to the roof-tops."

Unless Marantz advertises in their magazine.

Bojack - I am a big classical fan and have experienced a very similar problem you describe. In fact, I posted a thread about it on AA. The problem manifested itself in both of my systems, one is a passive pre-Class D amp-Maggies rig, the other is an active pre-Class A/B-box speaker combo, so very different. The posters on AA ranged everywhere from "Maggies suck" (yeah right) to more involved discussion of the problems recording engineers face in recording orchestral strings.

I have a couple of comments:

1) My problem isn't heard with solo violin, which in fact sounds particularly good on my system. It's orchestral violins only.
2) I have improved the sound through shielded A.C cables and jitter control. I would investigate both of these routes. I would look into a reclocker for the Marantz (Empirical Audio and Audio Gd are the competitors in this space). This isn't a complete solution but it's ameliorative.
3) Following up on 2, my current working hypothesis is that the issue is one of dirty power and jitter.

So I think your observation is completely valid and I would approach the solution analytically.

01-05-13: Rok2id
I will assume you gentlemen know how to 'READ' equipment reviews.

I know how to read equipment reviews, as do most others here. It's like reading the funny pages in the newspaper. Why do you feel the need to have someone else tell you how something sounds? I realize that reviews are merely ads, I've read many in the last few decades....some are right, some are wrong, some are right AND wrong. So what's your point?

To make it easier for others who read these threads, here is a link to the precious Marantz CD5004 review.

I'm certainly not bashing Marantz, my modified Marantz SA-11S1 is still the best digital source that I have owned. That being said, it still can't reproduce massed strings like my turntable. It's not the CDP's fault, it's the limitations of the digital format. Many do get by buying tubes and cables to attempt to smooth this problem out though.

My, I see that there are quite a few variables here, and Jult52, my issue is also massed violins, so it's good to know that you improved their sound with jitter control. Ironically, I don't remember having this problem in an earlier system (different everything except Type 4s), where my CD source was CAL DX-1. I would have it to this day if it were not for my experience with 3 bad CAL players (DX1, DX2, and CL-5)...finally threw up my hands with them and hence got the Marantz.

01-05-13: Rrog
The problem with a reference recording is it can sound completely different on every system it's played on. Does that make one system bad and another good? I don't think so. Every system I have assembled gets the most from a separate group of recordings. I think it takes many many recordings to analyze a system. It would be nice if we could use one recording, but it's not that simple.

True enough, Ron. But in this case we are trying to address a single very specific problem. And IMO a problem that WILL occur with many classical orchestral recordings no matter how good the system is, as a consequence of excessive multi-miking and processing. And IMO a problem that will NOT occur with a well engineered, minimally miked, minimally processed recording unless there is a specific problem or problems in the system.

As Frogman said earlier, it is entirely possible that part of the problem is in the recordings, and something in the system is making it worse. Listening to a known good reference recording would help to isolate the degree to which the system and the recordings may be contributing to the problem. It would also minimize the likelihood that the system will be end up being changed in a manner that compensates for the problems in the mediocre recordings, but degrades or limits its performance with high quality recordings.

It is, of course, a traditional audiophile dilemma that improving the quality of the reproduction of good recordings may in some ways make run of the mill recordings sound worse. And each listener needs to optimize that tradeoff in accordance with his or her own preferences. But it would seem likely to be an exercise in futility to try to optimize that tradeoff without including one or more recordings that are of impeccable quality, and that can be counted on to not contribute to the problem that is being addressed.

Regards,
-- Al