How essential is shielding?


Both my analog interconnects and my speaker cables are unshielded, yet my system is pretty much dead quiet. This is making me wonder whether the importance of shielding is sometimes exaggerated.

The majority of cable manufacturers seem to emphasize shielding as an essential feature of design. I don't doubt that there are many situations where shielding is both necessary and effective. But my results with unshielded cables makes me suspect that there are also situations where shielding is unnecessary or even detrimental, and that these situations may be more common than would be suggested by the dominance of shielded designs.

How essential do you think shielding is?

Thanks for any input,
Bryon
bryoncunningham
Devil's advocate: Given that a system is dead quiet with unshielded cables, how are any of you comparing shielded and unshielded cables, and know that the 'openness' that was mentioned (or any other sonic difference) is due specifically to an absence of shielding? One would need 2 identical cables, the only difference being shielded vs non, in order to make a reasonable comparison.
Tholt: Your point is valid and in my case, I made the assumption that it was the shielding, but I could be wrong.

I had a conversation about power cords with Chris Hoff at BPT and his theory is that if you don't have any high register nasties or buzzing then shielding is a form of filtering and detrimental to the sonics. His power cord comes with or without shielding, so this would be a good cord to experiment as Tholt's "reasonable comparison" theory suggests.
it's a wonderful day...have three fingers of good liquor and listen to your favorite album.
One would need 2 identical cables, the only difference being shielded vs non, in order to make a reasonable comparison.

Hi Tholt - This is a good point, and I agree that comparing two cables that differed only in the presence/absence of shielding would be an informative test. But I don't know that it's the only possible source of information about the typical characteristics of unshielded designs.

It seems to me that, for any category of component, whether it be cables, amps, speakers, or whatever, there are at least some generalizations to be made about the typical characteristics of a particular design approach. Hence the countless generalizations that are routinely made about SET amps, electrostatic speakers, passive preamps, or whatever. Many of those generalizations are the subject of some controversy, and nearly all of them have various exceptions, but that does not diminish the value of those generalizations as heuristics for sharing and developing communal knowledge. What I'm trying to say is that I believe that useful generalizations can often be made about the typical characteristics of a particular design approach, even in the absence of carefully controlled experiments.

Of course, I could be wrong about "openness" being a typical characteristic of unshielded cables. It would be interesting to hear from other folks who use them, to see if they have noticed something similar.

Bryon
I tend to think of "openness" as correlating with upper treble extension. For a line level interface, what would maximize upper treble extension (or at least minimize any degradation of it) would be low cable capacitance (meaning low capacitance per unit length and/or minimal length), and also low output impedance of the component that drives the cable.

Just a thought to keep in mind.

Best regards,
-- Al