Psychicanimal: One has to look at source and load impedances when discussing such things as inductance and capacitance in a cable. Having said that, the electrical characteristics / load that the cable brings with it will remain constant but whether or not it is a good match with the other components it is connected to is the question.
As Audioengr stated in his earlier reply to me, some designs are more stable than others and will not have a problem with a high capacitance load. That is, so long as the total load impedance and level of reactance that it sees is within reason. If the combo isn't a relatively "benign" load, the component loading into the cable will typically display erratic frequency response and distortion characteristics. All of this can be easily viewed on a scope and / or spectrum analyzer.
As such, the trick is to find something that both measures and sounds good. The key to doing this is finding something that allows maximum power transfer ( proper impedance matching ) without allowing major signal degradation to take place. That is, unless one prefers specific sonic colourations and isn't worried about "accuracy". Some cables work "better" in certain systems because they specifically create impedance mismatches. This in turn can alter the perceived sonics of what might otherwise be a highly flawed system. While this approach is typically viewed as being a "band aid", it can make the difference between having a rig that is enjoyable and one that is unbearable. Sean
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As Audioengr stated in his earlier reply to me, some designs are more stable than others and will not have a problem with a high capacitance load. That is, so long as the total load impedance and level of reactance that it sees is within reason. If the combo isn't a relatively "benign" load, the component loading into the cable will typically display erratic frequency response and distortion characteristics. All of this can be easily viewed on a scope and / or spectrum analyzer.
As such, the trick is to find something that both measures and sounds good. The key to doing this is finding something that allows maximum power transfer ( proper impedance matching ) without allowing major signal degradation to take place. That is, unless one prefers specific sonic colourations and isn't worried about "accuracy". Some cables work "better" in certain systems because they specifically create impedance mismatches. This in turn can alter the perceived sonics of what might otherwise be a highly flawed system. While this approach is typically viewed as being a "band aid", it can make the difference between having a rig that is enjoyable and one that is unbearable. Sean
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