How to meaningfully audition speakers??


I think this topic has appeared elsewhere, even if worded differently. But I thought I'd ask anyway.

Just upgraded my amp and was thinking about auditioning different speakers. Problem is that there are only a handful of high-end B&M stores nearby. Another complication is that no one store has the 2 or 3 speaker brands that I want to check out.

Further, I am dubious that one can meaningfully audition gear by running from store to store because the test conditions are not identical. In addition, unless a piece is really terrible or incredibly terrific, I don't trust my aural memory. Perhaps other have a different view.

Seems to me that the best way to accomplish what I want is to have the speakers of interest brought to my house and hooked up to my rig. But -- I am NOT aware of any dealer willing to part with expensive gear like that, especially if it has to be specially ordered from a distributor because the model is not on display.

So the Q is what do most folks do? Just buy speakers on hope and a prayer?? Rely on reviews or Forum comments??
bifwynne
Note that live drums go through plenty of processing at concerts including compression, digital reverbs, input pads, etc. The reason live drum sounds don't go through your hifi is the fact that uncompressed drums would blow up most any home system's speakers, unless you're using large, professional, huge coil 15" or 18" woofers. Try it...get a 1200 watt pro PA amp and a mic, and stand back. I record and mix live drums for jazz concerts, and get away with input pads and sensitive overhead condensor mics. Now that's LIVE! Also note that small jazz combos are often completely unbalanced if not miked somehow, unless you sit in the middle of the band which isn't usually allowed even for Elizabeth.
"The reason live drum sounds don't go through your hifi is the fact that uncompressed drums would blow up most any home system's speakers, "

Not to mention the amp clipping that would probably occur and totally ruin the sound anyhow in most cases even if the result is not blown speakers.

Note though that proximity to music source and venue room acoustics is a big factor in how loud something really is.

I was listening to a rock band play outdoors from about 20 feet away recently. It was loud overall and sound mix was good but nothing there that could not be reproduced at home easily with the right gear.
****Live music is the reference when but one can NEVER it replicate in one's room****

I couldn't agree more. But here is the problem: because of that unfortunate (?) reality, most audiophiles are very quick to abandon the POSSIBILITIES from using that benchmark simply because perfect replication can never be attained. To my ears, far more audiophile sound systems owned by listeners who regularly attend live music performances sound closer to GOOD live sound than systems owned by audiophiles who don't; regardless of preferred music genres.
It all comes back to what is your reference for good sound.

As long as you know what it is for you, there is a good chance of a happy ending. Otherwise, chances are slim.
****The reason live drum sounds don't go through your hifi is the fact that uncompressed drums would blow up most any home system's speakers, unless you're using large, professional, huge coil 15" or 18" woofers****

Understood, and I agree. But, that does not change the truth in my premise; and in a sense you make my point: if you don't know ( through experience) what is possible as far as speed and visceral impact, how can one best judge which component (speaker, in this case) gets closest to that ideal.

****Try it****

No thanks :-)