I can prove your room is bad

I agree that we are listening to our speakers and the response of the room in a locked relationship of excitation/response.
In an attempt to help a null around 85 Hz I got a bunch of GIK 244 series bass traps. Qty 4 24" x 24" squares (2 of those with flexrange), Qty 4 12x48, and Qty 2 freestanding panels. They work. 
Too much will suck the life out of the sound, and a little goes a long way. They are very effective. I'm still experimenting with the GIK and Vicoustic placement (done by ear mostly as the attempts to carefully quantify with REW /capable mic only took me so far); It's definitely worth the time and energy and is a learning experience I highly recommend if you are looking to squeeze as much performance from your gear as possible.
I am amazed by how much potential exists in our gear that just needs to be unlocked!
Acoustic treatments and power (cords and conditioners) are two huge pillars i've learned a lot about the past many months. Room tuning is both fun and exhausting, but very much worth the effort.
 


 

Mine sound just fine from where I sit....zero room treatment, just your average furnished room with both soft and reflective surfaces...I like my room and will not add UFO's to it....😁

Erik is right. You can dramatically reduce room effects by getting a line source bipolar ESL. Then you only need some acoustic tile behind the speaker nothing else. What you will notice is that the speaker sounds exactly the same at 12 feet as it does at 6 inches. Very spooky. The only manufacturer of this type of speaker now is Sound Labs. 

Excuse me. Bipolar is the wrong term. It should be dipole. Bipoles radiate from both sides in phase. Dipole the sides are 180 degrees out of phase.

Oh no! Other people now are becoming kenjit-ized.