Here is the stereophile test I was referring to (It was linked in the head-fi compilation earlier in the thread) -
https://www.stereophile.com/features/113/index.html
It's one of the only tests in the head-fi compilation (or Archimago's many tests) that indicate an audible difference (in amps/cables/resolution), but, as you'll see if you read the footnotes and letters, that conclusion was far from justified, and the null hypothesis (no audible differences) remains unchallenged after properly controlling responses.
But it did suggest something interesting - an overall tendency to hear a difference between options, revealed by the results when the two options were identical. I've observed this in myself.
A good discussion of the flaw in the test design, and how it potentially revealed a bias towards hearing difference is in the letters on this page, particularly the second letter (also obliquely discussed in a footnote):
https://www.stereophile.com/content/blind-listening-letters-part-4
footnote 8 reveals that Larry Atkinson had also realized the problem, but the letter explains best the flaw in the data analysis that invalidates the (badly overstated) conclusion of the main article.
It's one of the only tests in the head-fi compilation (or Archimago's many tests) that indicate an audible difference (in amps/cables/resolution), but, as you'll see if you read the footnotes and letters, that conclusion was far from justified, and the null hypothesis (no audible differences) remains unchallenged after properly controlling responses.
But it did suggest something interesting - an overall tendency to hear a difference between options, revealed by the results when the two options were identical. I've observed this in myself.
A good discussion of the flaw in the test design, and how it potentially revealed a bias towards hearing difference is in the letters on this page, particularly the second letter (also obliquely discussed in a footnote):
https://www.stereophile.com/content/blind-listening-letters-part-4
In the absence of a basic flaw in your experiment, the above statistical analysis suggests to me that Stereophile's amplifier test may have neatly pinpointed a key element in the high-end audio business: a propensity (is compulsion too strong a word?) on the part of aficionados to hear differences.
footnote 8 reveals that Larry Atkinson had also realized the problem, but the letter explains best the flaw in the data analysis that invalidates the (badly overstated) conclusion of the main article.