ICE Amps for classical music?


I listen to classical orchestral music at heavy volume. I detest reproduced music for always sounding more or less electronic and not acoustic. Real music is beautiful in a way reproduced music--so far at least-- never is. I have become curious about Wyred4sound amps because of low price and high watts. I am wondering if any of you "mostly classical" listeners have heard these amps and feel they do no more damage to music than amps which are NOT ICE amps. I am using a Plinius SA100 now and have used a VAC 100/100,
a Bedini Classic 100/100, a Music Reference RM-9, and other tube and solid state amps. They all had their pluses and minuses, of course, but for least electronic, clearly the Bedini was the winner. So what about ICE amps?
rpfef
Weseixas What Rich are we talking about? I will be very happy to entertain any visitor who loves music. Have him shoot me an email.

I removed my system from Audiogon. After my spinal operation this month, and trusting I will be in good health afterwards, I am going to restart my cottage industry making speaker cables. Doing that, I figure I will have to register as such. My system dialogue was riddled with brand name disappointments.

Gallant Diva's set up is very different than mine. I have good word that his sound is phenomenal. He put a lot of tube amp horsepower into driving hybrid Full Range Apogees.
No motive, no hidden agenda, and certainly no dealerspeak so put that away. Do you see any advertisting rx8girl?

My point is Muralman's ideas work for him but they are not a universally accepted truth. Personal preferences are the cornerstone of our hobby.

Anybody with audio experience has learned this basic premise.

Muralman will eventually get it once he takes the blinders off.
" Mapman, could you described your setup ."

Check out my system listing for complete info. It is up to date I believe. Pics on speaker location within rooms could use an update and I need to add pics of the BC monoblocks still.

I'm happy to answer any specific questions you might have.
Weseixas, thank you so much for the additional information. Anything you can tell us about wiring, XLR vs RCA, and the rest of the system's electronics?

G.
"Note : (Bass) Improved over previous BC500 sound , not perfect .."

Have you ever had "perfect" bass in the listening room for reference?

This brings two things to mind.

1) bass is highly sensitive to speaker placement in room and room acoustics even with the best equipement

2) I had to adjust my speaker location somewhat when I switched in the BC amps. I find that switching amps in general typically involves at least some minor tweaking of speaker location within the room to retain best results.

I bought my BCs used and was not sure about break-in amount prior. At first, the sound was stark and bare sounding in comparison to my prior amp, a Musical Fidelity A3CR (Stereophile Class A FWIW). After a while, things settled in to a new and better reality. Part of this was my ears adjusting to the new sound, which was much tighter and cleaner and dynamic top to bottom still with very good detail. I attribute the different sound of the BCs somewhat to high damping factor (>1000 I believe is the spec). High damping is generally considered a desirable thing for my OHM speakers with the Walsh drivers. High Damping may not be the case with planars like Maggies.

I say that based partially on technical intuition but also on the fact that when I owned Maggies they worked well with a 360 w/ch carver m4.0t amp (low damping and current) whereas I had to dump the Carver to get balanced sound out of the newer OHMs.