Importance of power cable for Turntable?


Just purchased a Gryphon Diablo 300 integrated with the optional phono stage and DAC module.  I purchased AudioQuest Hurricanes for both the amp and my digital source.  How important would it be to do the same for a high end turntable (which I don’t have just yet)?  Would an AudioQuest Hurricane Source be a good choice for a high end turntable as well? Or is it even needed?  I do notice subtle improvements with my amp and digital source.

Thanks
nyev
a musical reproduction system transparent enough to let the best recordings reach their full potential, yet not so ruthlessly revealing as to make lower sound quality recordings be unlistenable!

Actually my experience is that a transparent system will bring out the best in any recording, no matter how flawed. I want to hear what the artists were doing, warts and all, I can listen through recording errors and would much rather it was given me straight than sugar coated. Certainly in my current setup I've yet to find a disc "unlistenable" and am enjoying lots of things I'd previously written off

As to the Sopranino -- while it added extra clarity, air and space there was certainly some discontinuity between it and the Be tweeter on the Q3 and in the room interaction I found the need to tone things down -- since then I've gone to more transparent settings on the SR gear (silvers vs golds) and no longer feel there's any high end discontinuity -- but it's certainly still on the "hyper detailed" end of the spectrum, kind of what I like I think
A hearty +1 to @folkfreak 's statement, copied below:

Actually my experience is that a transparent system will bring out the best in any recording, no matter how flawed. I want to hear what the artists were doing, warts and all, I can listen through recording errors and would much rather it was given me straight than sugar coated. Certainly in my current setup I've yet to find a disc "unlistenable" and am enjoying lots of things I'd previously written off

@folkfreak, I was speaking specifically about the reproduction of the very highest frequencies, where a super tweeter usually operates, where bad recordings are their worst, and our ears most sensitive to any nastiness. At frequencies below that, I don't think any degree of transparency is excessive! I do require high frequency reproduction capable of doing justice to the "sizzle" cymbals (those fitted with rivets) in my music collection. One of my favorite drum sounds, a sizzle cymbal has been in my kit setup for many years.
Good point @lewm. It is not a symmetrical situation; if a difference between two competing components---in this instance power cords---is heard, the system is then ipso facto transparent enough to reveal that difference. On the other hand, if a difference in NOT heard, that does not necessarily prove a lack of transparency, for, as you imply, there may in actuality be no difference to be heard.
I would hazard a guess that system resolving power is one of many variables that could bottleneck the performance of a power cable or make differences in cords less noticeable.  I’d think it also depends on how noisy an environment is, how clean the AC input power is, and also how good the regulators are in the components that the cords are connected to.  In a hypothetical (and probably not realistic scenario), if you have a highly resolving system, clean power, no material EMI to speak of, and high quality regulation built into the gear, maybe you wouldn’t notice differences between cords.  Some very high end gear comes with power regulation in a separate chassis.  Is it possible that such components, if implemented right, at least partially negate the effects between a lower end and higher end cord?