Is a low output MC superior in sound quality to a high output MC??


I have seen a few  short comments over the last year on Audiogon and in few audio magazines about the differences between a Low output MC versus a High output  MC. 

What might be the pros and cons of these two designs, and in general which offers the better sound quality even if  both are  the same brand??. 


Thank you, S.J.    

sunnyjim
Just to add to the confusion take a look at the Soundsmith "Fixed Coil" cartridges.

(anyone know what Fixed Coil is?)

Knowing the lengths SS goes to i would have to believe there is not much downside, if any, to their high output carts

They start around $399
http://www.sound-smith.com/cartridges/fixed-coil/otello

Has anyone tried one of the SS own brand carts? - Tell us what you think of them.

Thanks
"Fixed coil" is a euphemism for what is more commonly known as "Moving Iron".  In MI cartridges a piece of iron is attached to the cantilever, and it is the only moving part. Both the coil and the magnet are stationary, and the iron causes changes in magnetic flux that induce signal voltage in the coil.  Like Peter Lederman says, MI cartridges have lowest moving mass among the three common types of cartridges.

I have not owned an HOMC cartridge in more than 10 years, so I am certainly not up to date on the latest, but before that I owned a Transfiguration Esprit, two Benz Gliders, and at least one Sumiko Blue Point.  None of these sounded as true to life in my system as have any number of LOMC and/or MM/MI type cartridges.  Thus I have come to believe that, as a class, LOMC cartridges are superior to HOMC.  This is not to say that ALL LOMC cartridges are superior to ALL HOMC types.  There may well be a great HOMC out there, somewhere.

syntax has it... however, you have to have enough gain and quality in your other gear to appreciate the difference.

Thank you to all members who responded so far. Each has re-educated me about these two types of MC's, and also the dark horse, moving iron design offered by the Sound-Smith company which I considered but only up to the" Otello" model which is listed at $479.


The issue of phono pre-amp gain and pre-amp and amp  gain seems crucial, but so does cartridge/tonearm interface  My current system is a Moon Audio LP -110 phono pre-amp  The MM gain is 40db, and MC gain is 60db. The Moon tech said that the MM gain is high enough for even the Denon DL110 HOMC with an published spec output of 1.6 mV. The DL-103 LOMC is .0.3 and the infamous DL 103R LOMC is  approximately the same. The LOMC DL-103 is actually less expensive than HOMC DL-110.

The rest of my rig is the Conrad Johnson PV14L SE and BAT VK-200 amp; the speakers are the Golden Ear Technology 7's . I am sure how the interface of the amp , pre-amp, LP-110 PP and any LOMC would play out so I need to do a little home work. 

BTW, the Denon DL-110 HOMC weights 4.8 grams. I don't recall the weight of the DL-103 LOMC.   I mentioned this because several of  you  probably saw my thread about TT at $1100 or under. . I am still mulling over keeping the U-Turn Orbit PlusTT with the Ortofon 2M RED cartridge which   has a output of 5.5 mV which sounds better after replacing original motor because of a hum problem. The new motor has reduced 90% of the hum. but there is a residual low-level hum still there, but is not distracting or annoying..

Lastly, with the above setup of electronics and Ortofon cartridge, at step 64 out 99 steps on volume control of the CJ line stage, the sound is very loud. but good.  I am hoping a  better cartridge whether MM or MC will improve the sound, but the tonearm on U-Turn table is not well suited for anything higher than the two Denon MC's  I have indicated.  Any further comments or advice is welcomed    Thanks, SJ