When the straight wire/minimalist designs--spearheaded by the original Mark Levinson preamps and meterless amps--came into fashion, McIntosh with its old school face of knobs for bass, treble, mono, stereo reverse, and balance, and SS power amps with big blue meters and output transformers, quickly fell out of fashion, and for a long time took on an old school, "this is your dad's stereo" reputation. But I've gotta say, I've never heard a bad-sounding McIntosh and some of their amps are some of the best I've ever heard. I have had a pair of Mirage M5si floorstanding speakers I bought in late 1996. In the audition I found a Sunfire amp wanting so then tried a big-ass McIntosh. I never could come up with the scratch for an amp like that, but 15 years later, the way that that Mac pushed Holly Cole's "Temptation" album through those speakers haunts me still.
Is McIntosh a stepping stone into HI/FI?
I’m a McIntosh fan/owner and still own some Mc gear. This is not a knock on Mc sound; rather it be tube, autoformers, or straight SS, the sound is unlike any other. I was wondering why so many move to Krell, Levinson, Conrad Johnson, Ayre, and BAT. Is it associated gear, or a food chain thing? I understand that ears are like eyes and all fault to different desires. I’d like to know if/when you went back and if you feel McIntosh is a stepping-stone into hi-fi.
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- 40 posts total
- 40 posts total