Is soundstage DEPTH a myth?

Ok, help me out fellas. Is it a myth or what?

I’m a good listener, I listen deep into the music, and I feel like I have good ears. But I can’t confirm that I can hear soundstage depth. I can hear 1 instrument is louder, but this doesn’t help me to tell if something is more forward or more behind. Even in real life and 2 people are talking, I can’t honestly say I know which one is in front.

The one behind will sound less loud, but is that all there is to soundstage depth? I think the answer I’m looking for has to do with something I read recently. Something about depth exist only in the center in most system, the good systems has depth all around the soundstage.


In my humble experience : speaker placement is the biggest factor of hearing (and reproducing )  the “depth” from your source of music.  In most cases if your speakers are placed too close to the front wall of the room you tend to have a rather flat sound image ( no depth). Regardless of how expensive the gears are. 

Try to pull your speakers 12 inches forward and see if you hear a difference ? 
Have fun and enjoy ! 

I have perceived varying levels of soundstage depth in recordings themselves and in the way the music is presented via my equipment.
Much improved speakers revealed this.
My response was something like, “wow, the distance between those cymbals and the lead vocal seems physically pronounced.”
I find soundstage depth to be an interesting aural perception.
Mono recordings from the ‘30s and ‘40s are recordings where I do not “see” a tall, wide, expansive, immaculately separated combination of elements, but a narrow, short, yet wonderfully deep “tunnel” where I can “see” into a deep background.
Just my personal experience.
I find many modern recordings are very “shallow.” Right up front and dry, almost like a pencil sketch on paper instead of a deep, 3-D experience.
Something antithetical to such a presentation might be, say, Rudy Van Gelder recordings from the ‘50s or ‘60s, or September of My Years by Frank Sinatra. A far more palpable sense of physical space between the various individual sonic elements and a far more dynamic and expansive overall presentation in terms of depth, width, and height,

Depth can happen on a boom box no problem, it has nothing to do with the sound system it has to do with the way the music was recorded. I've done thousands. 2 mics over the conductors head will give lots of depth. Why do audiophiles assume that music is all miked the same? Modern music isn't recorded for depth it is close miked with a multitrack recorder.

The album

Gabi Hartmann - Gabi Hartmann

is recorded with lots of depth in the soundstage.

Hear i.e the piano and woodwinds on track four.

Real depth or created at the mixer board?

Electronic music often have created depth in the soundstage.