is there a market?


Is their a large enough market within the audiophile community and music lovers alike to start a recording company that recorded primarily jazz and classical music the right way?  Is there a chance to capture the great orchestras of america in a totally analog process from start to finish just like they did back in the fifties?  I would think many orchestras would jump at the opportunity to be part of the effort to be recorded like the great orchestras were in the mid 20th century.  Is there still equipment in existence and engineering know how to make this happen?  There certainly is a renewed interest in vinyl and the sound it produces even if it is done digitally.  How about the real thing?
tzh21y
TZ- it’s a cost factor, and also, from a market/risk standpoint, reissuing a known warhorse is a safer bet than creating something new (apart from the cost risk- did I mention risk and cost?) :) Same complaint could be made about many reissues on the pop/rock or even the jazz fronts too, though I gather folks are pretty happy will some of the jazz reissues of blue note by music matters. First question someone behind the desk making a decision would ask is-- what’s the market? Same question you are asking.
Ping me and we can talk. I sent you a PM a couple days ago.
best,
bill hart
I understand, there is risk with everything.  I also know that digital is better than it was but it will never sound like analog ever, especially with unamplified instruments.  For music that demands critical listening, analog is the only way to go.  Jazz, classical, bluegrass and other genres of music demand critical listening not just background entertainment.  What better time to take this risk.  I would imagine the great orchestras would jump at the opportunity to be recorded in all analog because they know what that does to strings, cymbals, I could go on and on.  Its called reality, like being at the venue and experiencing music as it sounds true to life.  The only thing is it would truly have to be done by the best of the best, like a Kenneth Wilkinson to ensure it was done perfectly to really get attention.  
I don't believe there are any studio quality analog multi-track tape recorders being made today, haven't been for quite some time, and the parts for older units are becoming very difficult to find.
Recordings in the 50's and 60's were made on tape. remastered, they can sound really good, but the actual 1950's pressings are not that good.
many of these tapes still exist and are available on CD, a much better format. (Supex, Signet xk50, Ariston, Audire, B&W). 
Dan you are missing the point.  Some folks, myself included, do not want it in digital. We want ALL analog. Apparently you don't agree but we believe that it is more realistic that way. There is always something lost in the A to D conversion. There is a reason why the most sought after, expensive albums are an all analog chain.