T bone, I have to agree with you fully from a numbers aspect. My problem is with quality. If there was some form of relativity between price and quality, I would not have as much of a problem.
Example; (using your terms) In 1970, a Porsche 911 was approx. $6000.00. In 2003, a Porsche 911 is approx. $70,000. But, you are still buying the quality of a Porsche.
It would be very hard for someone to convince me that CDs cost as much to produce as an LP. If you consider just the packaging that was provided with an LP of that era, (album covers, sleeves, artwork, lyrics, posters, etc.) versus what is being provided today in the average CD. Let's not even discuss the quality of the musical content.
Several weeks ago I purchased several XRCDs. Beautiful packaging, excellent sound, overall a very nice quality product. This indicates to me that the music industry is completely capable of producing such a product. The cost? $30.00 each.
Personally, I have a hard time understanding how a product of this quality can justify it's cost. Does it really cost that much more to produce an XRCD with all of it's packaging versus the average redbook CD? And the real clincher is that the XRCDs that I purchased were all recordings from the 50s-60s-70s era. Is this indicative of the fact that maybe even the record companies feel that much of the newer musical material is not worthy of "special treatment"?
Let us also consider the newer formats such as SACD or DVD-A. How often do you see new musical material being used for these newer formats? Why wouldn't the industry try to promote their new formats using new musical material. I mean how many times are you going to purchase "rereleases" of Pink Floyd's Dark side of the moon?
With all do respect T bone, I really have a hard time understanding this.
Example; (using your terms) In 1970, a Porsche 911 was approx. $6000.00. In 2003, a Porsche 911 is approx. $70,000. But, you are still buying the quality of a Porsche.
It would be very hard for someone to convince me that CDs cost as much to produce as an LP. If you consider just the packaging that was provided with an LP of that era, (album covers, sleeves, artwork, lyrics, posters, etc.) versus what is being provided today in the average CD. Let's not even discuss the quality of the musical content.
Several weeks ago I purchased several XRCDs. Beautiful packaging, excellent sound, overall a very nice quality product. This indicates to me that the music industry is completely capable of producing such a product. The cost? $30.00 each.
Personally, I have a hard time understanding how a product of this quality can justify it's cost. Does it really cost that much more to produce an XRCD with all of it's packaging versus the average redbook CD? And the real clincher is that the XRCDs that I purchased were all recordings from the 50s-60s-70s era. Is this indicative of the fact that maybe even the record companies feel that much of the newer musical material is not worthy of "special treatment"?
Let us also consider the newer formats such as SACD or DVD-A. How often do you see new musical material being used for these newer formats? Why wouldn't the industry try to promote their new formats using new musical material. I mean how many times are you going to purchase "rereleases" of Pink Floyd's Dark side of the moon?
With all do respect T bone, I really have a hard time understanding this.