Hi Wayneker2176,Fplanner2010,
I find it hard to believe you are finding better texture, spacial info and especially dynamics from a CD in real time than by a well set up computer server. But I am sure you hear what you hear.
I have had 2 generations of DCS stacks. Elgar plus up to the Scarlatti stack. Even though with my Scarlatti rig I used the older transport. The addition of the computer was awesome. I dont miss CDs/transport at all.
What is always difficult in these audiophile conversations is to know what people perceive as better. Also maybe any happy coincidence of euphonic attributes in the system can alter an opinion of what is better.
From my perspective after many years of highend CD playback, I found direct from memory via firewire with Amarra from a mac into my DAC to perform beyond anything I have had before. All the qualities you mention are there. Amazing clarity, dynamics,purity, and all the texture that is in the recording is there.(Some recordings I have are direct from the studio. I was in the session. All exported in the digital domain from the DAW. Bounced to stereo Aiffs or WAVS files at the native sample rate)
This talk of CD drives in computers is nonsense. If they could not transfer the data properly none of our computers would work. Obviously all data imported to my HD via CD is in Read until write mode with various software non compressed. Nothing added or taken away. All cables and power supplies are as good as they can reasonably be.
Fplanner2010 you mention the use of coaxial (I assume the jittery s/pdif) which is a consumer digital in/out. Isnt that 75ohm system only capable of 24/96k in stereo if that? I am a bit confused as you mention 24/192. Sorry it has been a while and I have only really used AES/EBU 110 ohm digital ins/outs in the past.
I find it hard to believe you are finding better texture, spacial info and especially dynamics from a CD in real time than by a well set up computer server. But I am sure you hear what you hear.
I have had 2 generations of DCS stacks. Elgar plus up to the Scarlatti stack. Even though with my Scarlatti rig I used the older transport. The addition of the computer was awesome. I dont miss CDs/transport at all.
What is always difficult in these audiophile conversations is to know what people perceive as better. Also maybe any happy coincidence of euphonic attributes in the system can alter an opinion of what is better.
From my perspective after many years of highend CD playback, I found direct from memory via firewire with Amarra from a mac into my DAC to perform beyond anything I have had before. All the qualities you mention are there. Amazing clarity, dynamics,purity, and all the texture that is in the recording is there.(Some recordings I have are direct from the studio. I was in the session. All exported in the digital domain from the DAW. Bounced to stereo Aiffs or WAVS files at the native sample rate)
This talk of CD drives in computers is nonsense. If they could not transfer the data properly none of our computers would work. Obviously all data imported to my HD via CD is in Read until write mode with various software non compressed. Nothing added or taken away. All cables and power supplies are as good as they can reasonably be.
Fplanner2010 you mention the use of coaxial (I assume the jittery s/pdif) which is a consumer digital in/out. Isnt that 75ohm system only capable of 24/96k in stereo if that? I am a bit confused as you mention 24/192. Sorry it has been a while and I have only really used AES/EBU 110 ohm digital ins/outs in the past.