Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
Funny titles never stops to amaze me. A piece about cars being towed, man...

Speaking of odd titles, a minute ago on local radio station

https://m.youtube.com/watch?v=iFq6eZBS1iM

Oh, that's jazz...

Ahmad Jamal is a jazz pianist who is one class act. I saw him when I was staying at the Holiday Inn, on North Shore Drive in Chicago in the mid 80's. He was appearing at "Ricks Cafe", which was located in the hotel. The place was designed to recreate the bar made famous by Humphrey Bogart and Ingrid Bergman in the movie classic "Casablanca."

He was appearing with Frank Gant on Drums, and Othello Molineaux on steelpan. Those are two of the musicians I remember because we had drinks together after the show.

As always, he put on a fantastic performance that was made so unusual by including Othello Molineaux on steel drums. Miles always admired Ahmad, "Play like Ahmad,” Miles Davis would tell his pianist Red Garland in the 1950s."

It was in the mid 50's that I first became aware of Ahmad; I was staying with my cousin who lived two blocks from the Pershing Lounge on the South Side of Chicago. That was about the time he made his most famous album, "Ahmad Jamal At The Pershing" with his unforgettable version of "Poinciana".


      https://www.youtube.com/watch?v=Z0e2G32f3IU


I had followed Ahmad Jamal's music from that time, till seeing him live in the ambiance of a night club that was modeled after "Ricks" club in the movie "Casablanca". it was by far the most memorable evening I can recall, as far as seeing a musician live. Once you enjoy the experience of seeing one of your favorite musicians in a nightclub where you are so close that you can see the changing expressions on the musicians face, there is no way you can relate to that "arena thing" anymore.

After the show Frank and Othello joined me for drinks where we had a long discussion in regard to a jazz musician making a living in the States. Frank told me he had tickets in his pocket for Japan, and it would be tough without fans outside of the US.

Othello was in very high spirits because he had almost stole the show; while Chicago fans had seen Ahmad many times over the years, they had never seen him with a steelpan drummer, and Othello could jam. (Why else would he have been with Ahmad). He was still high from his fantastic reception in Chicago, and said he hoped they would return after Japan.

As a "jazz aficionado" I have so many fantastic memories to reflect on, and they come in handy during this "Covid Lock down".


Speaking of odd titles, a minute ago on local radio station


What year is it, in the People's Republic of Croatia?

Cheers