Jerry Garcia, A Legacy?


Unfortunately, many years have passed since Jerry Garcia engaged in the art of music making. I've never known of another electric guitarist who could incorporate without clear and cut demarcations the many multitudes of rock and roll, folk, jazz, blues, bluegrass, country, explorational real time composition, sustain induced psychedelic developments Be it partially safe to say also that I've yet to know of another electric guitarist whose playing was either loved or scorned to the extent that his was. Throughout my life as a Dead fan and follower of Jerry Garcia and of his various musical projects, I remember verbal battles with musicians who found JG's playing less enlightening than I and often my comments turned into vicious polemics defending the Grateful Dead' artistic integrity. Granted, JG did have many obvious musical hurdles during performances and didn't exhibit a typical so called pristine guitar playing technique but first and foremost consider that he played mainly rock and popular music (to make a point), on mainly an electric guitar, with a pick and 4 fingers, using electronic components on stages inside theaters, OK get real! Does Hiram Bullock posses the same technical polish as Julian Bream? The answer to that is a resounding no, neither did Jimi Hendrix and it's really of no consequence anyhow. What I very much loved about Jerry Garcia was that he placed musicality before entertainment and he took on a sense of risk, even danger, in order to help elevate the other playing musicians around him. Yes, Jerry Garcia's playing often ran hot and cold but when his playing ran hot, the rest of the Grateful Dead or Jerry Garcia Band would rise to a whole new level and when he ran cold, it had tenuous effect on the other participating musicians. I have to attribute Jerry Garcia's heightened level of ensemble cooperation to the way he listened intently with creative imagination, to his sensitive and tasteful playing, to his getting out of the way when the band needed space and to the degree of his vast musical knowledge that he gave away freely whenever the opportunity presented itself. From a subjective perspective while disregarding controversy, the music and persona of the Grateful Dead and of Jerry Garcia touched an enormous fan base which exhibited a degree of loyalty and dedication beyond compare. Many of the kids that I grew up with disliked the Grateful Dead and I would make the radical assumption that they still do. I don't mind bucking the trends and I'll even take a little pride in my prophetic wisdoms. How about you??
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My apologies bdp24. I stopped following their music by the time I turned 16 & realized surfing music was pretty much mindless. I just figured he was part of the Kokomo period because it to sucked so badly.   
I'm not a musician but I love music.  Beauty is in the eye of the beholder.  It doesn't matter which music moves us as much as the fact that it does.  I enjoy the GD, I connect with their music.  But every time I listen to BW "God only knows" I am awestruck.  It appeals to both brain and heart- for me.

Understandable boxer. I played in my first all-original-material-band in ’71, and could not get the other guys to listen to my recent (’66-’71) Beach Boys albums. The image of them at that time was of their early, surf style music. There is actually some great music on the early albums, like "Don’t Worry Baby" and "In My Room".

Brian stopped touring with the band in ’64, stayed home and recorded the Pet Sounds album without the other members, using the best studio musicians in Los Angeles. He then overdubbed their vocals when the instrumental tracks were completed. The material and sound of that album is completely different from the earlier stuff. McCartney and Lennon flipped when they heard it, Paul himself considering it to be the best album he had ever heard, responding with the Rubber Soul album. Beatles producer George Martin considers it a landmark album. Pet Sounds has consistently been voted the best Pop album of all time in British polls, beating even the over-rated Sgt. Peppers Lonely Hearts Club Band. That album was Paul's attempt to equal the Smile (see below) tapes he had heard, one of the songs on that album he actually singing on ("Vege-tables").

Brian heard Rubber Soul and started working on the legendary Smile album, which is a very progressive, psychedelic masterpiece that ended up being shelved instead of released in early '67, as it was originally scheduled to be. It was finally released a few years ago in three versions, including a 6-CD (!) boxset. In 2003, Brian and his current band performed the Smile album live in London, people flying in from all over the world to hear it. McCartney was there.

Brian left The Beach Boys in the 1980’s, and after his brothers Carl and Dennis died, Mike Love took over the band. It is he who was responsible for the Kokomo, Brian having nothing to do with that dreck.

Coincidently, I just read a quote from Jazz musician Ornette Coleman. After jamming with The Dead in the early 90’s, he said to their manager "Man, those guys don’t listen to each other when they play". Looks like I'm not the only snobbish elitist around ;-).
Listening to "God Only Knows", it's a song with touching lyrics--pleasant, dreamy--a bit pressured during the end, but likable for its changes in tempo, complex phrasing and background arrangement--an ambitious song for that period--can see why McCartney admired it, much the same way George Martin made some of his and Lennon's songs much, much better.  I have to admit though--give me "Fun, Fun, Fun" and "I Get Around" by the Beach Boys.