Kharma Exquisites

I have heard them on 4 different occasions, one very recently, and they continue to be at least for me the most musical (i.e. best) speakers I have heard. In all instances the speakers I heard were powered by Lamm amps, not always the same, but I am sure Lamm deserves some of the credit I am giving to the speakers. Voice and strings is where they move ahead of the other highly acclaimed speakers.

I recently heard the 1d's at CES this past month. The sound I experienced was definitely an eye opener for me. I went to the show looking for a "sound" or presentation that would set itself apart from all others.

The Lamm/ Kharma exhibit did this. The presentation from this demo was a showcase of the essence of musicality in a playback system. I mean, just music. After 2 minutes I forgot about gear and just listened with a big smile on my face. The music was simply there, everywhere in front of me. There were no boundaries, no outlines, no solid, immovable image. The presentation was that of a live performance. The music was so evenly laid out in front of me. Everything was in its rightful place. I could easily follow single instruments or voices throughout any given piece. No congestion. Every sound seemed separate from other sounds around them.

Every cd or record played simply sounded the way you would expect that it would if the performers were right in front of you. I would just like to know what this speaker can do in the lower octaves. Mid bass and up is a no brainer. But I happen to prefer a full range speaker that can also carry the full weight of the music also. Can anyone comment on this question of mine?

i own the Kharma Exquisite 1ds. i use the Tenor 75Wi OTL monoblocks.

Avnut, the Exquisites you heard at CES was the 1A, which has an external crossover, compared to my 1Ds, which are also bi-ampable but have an internal crossover.

i spent considerable time at the Kharma room at CES. although i enjoyed it, it did not compare to my room in bass extension or musicality. the Tenor is on another level compared to the ss Lamms. i have not heard the Lamm ML2 or ML1 on the Exquisites so i can't comment on that.

as far as bass performance is concerned i could make a few comments. even though my room is relatively small, i get true 25hz performance and -3db at 22hz. every visitor to my room comments that the bass integration is the best they have ever heard. i would say that the Exquisites do not have "rock concert" bass. it does not do "slam" like the Wilson watt/puppy 6s i had. but they do real world bass. instead of calling attention to itself the bass serves the music. the Tenor OTL have no dynamic limitations whatsoever on the Exquisites.

on the Exquisites music just "happens".....totally seamless and coherent; amazeing macro and microdynamics. i have had quite a few industry "experts" thru my room and so far they have all left under the spell of the Exquisite/Tenor combo.

i can listen to these beatiful works of art all day long and never get fatigued or tired of it. i consider it an honor to have the Exquisites. with the Exquisites it is about the music and not pieces of the sound. you concentrate on the performance and the musical content. you will find that small differnces between recordings or formats become much more pronounced. differences between cables and sources are bigger. i have always tried to go for neutrality in all my gear and the Exquisites are the ultimate neutral speaker.

Bill, if you want any details e-mail me and i would be glad to answer your questions.

Avnut: When I heard the Exquisite 1d's with the Tenor amplifiers driving them, the bass was among the best, if not the best, I have ever heard. Well into the lower 20s. Not only was it deep, but there was incredible texture, speed and detail.

Not to take anything away from Lamm's superb amplifiers, I thought the Tenor's did a better job on them. As a Tenor dealer, I my opinion may seem a bit biased, but I always try to be objective.