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Looking for a new phono preamp

Hi,

Long time lurker, first time poster.

Here's the deal. I'd like to find a new phono preamp. I'd prefer solid state, tubes get noisy too fast. My latest cartridge is an AT-ART9XA. I'm currently running thru a sut into a cj pv10a with phono stage, but I have just got my hands on a Bel Canto pre5 that the new phono pre will be paired with.

I've got a hard upper limit of $2.5k, less is OK for the right unit. I'm looking to buy new. Dealers around me aren't really set up to demo vinyl, so I'm hoping the collective experience in here can at least point me in the right direction. Hopefully, it would have a one month return policy so I can try out the preamp.

TIA.

PsychoicReaction
psychoticreaction
psychoticreaction OP
37 posts
 
Pods?  We don't need no stinkin' pods. :)

A friend of mine turned me on to an excellent DIY isolation platform perhaps the best platform I've ever used.  He calls it the Boos-Penn platform.

Tried the tape thing, green dots and various other similar tweaks.  Didn't do a thing for me or the sound of either of my systems, other that part me with some cash.  If they work for you, great.
au_lait
338 posts
 
Way too late to comment here, but seeing the early suggestion for the RCM... and have to add... the Sensor II is wonderful. I actually preferred it to the Herron. The only MC I used was Zu DL103 but it felt like cleaning dust out of the crevices of the music, without overly polishing upper timbres or thinning the mid bass or bass. If you move on from Herron at any point, it’s worth a try. I actually traded mine to TMR in exchange for the Herron LOL.
jtsnead's avatar
Ag insider logo xs@2x
jtsnead
217 posts
 
From low to high iFi phono 3 black label, JCJR+, Kitsune LCR MKV, Modwright PH9.0 and 9.oX
rsf507
2,313 posts
 
Haven't read thru entire chain but curious has anyone in this thread considered a Strain Gauge cartridge thereby forgoing a phono preamp? It is something I'm contemplating myself.
vinylzone
288 posts
 

 I owned one and it is easy to use and sounded very good, although I did sell it after about two years and moved up to a Luxman EQ500. BTW - I also owned a Herron VTPH 2A and I thought that it sounded great on classical and jazz, but not so much on rock.

I purchased a new VTPH-2A from Keith directly and received it about 2 weeks ago. I’ve been using it all day every day since (I work from home and my listening room is my home office). I’m guessing I have about 160 hours on it now. I did not want to comment until I felt it was broken in.

 In regard to using it with rock, I listen probably 60% to rock and blues, various genres. I find it excellent for rock.

 Timing and pace is everything I want from my analog system, especially considering I’m using an average preamp for the line stage. It’s very dynamic, both macro and micro, and I’m definitely hearing great results. Also, my records somehow seem quieter, maybe it’s from a blacker background, but also I think I’m hearing less ticks and pops.

 I’m going to be looking for a new preamp in the near future that I hope will bring out even more.

 Maybe something in your system didn’t interact well with the Herron, or maybe it’s just personal taste. I’m thrilled with it so far with all genres.


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