Looking for opinions on Tannoy Prestige line.


I have been looking around at the Tannoy Prestige line. I was curious about how these compare to more modern designs. I am a little burnt out on "hi-fi" and I am having an "enjoy the music" moment. I demoed a few pairs of Tannoys when I first got into audio and I remember liking them pretty well but it has been awhile scene I have heard them. I would be looking at the Kensington SE (and down) or either of the Glenair models. I do not have room or budget for anything bigger. I would be looking on the used market and have no dealer in my area. I am currently using Thiel CS2.4s.

Do they have much horn coloration? Does the bass have punch (I like hard rock and typical audiophile stuff too). How detailed are they compared to more modern designs?
james63
I heard the big Tannoys (Canterburys?) at THE Show a few weeks back on several recommendations.

I own Zu Def2s as a reference---which I still prefer. The Zus seem faster and more lively than the Tannoys, which with Cary electronics sound stunning on Floyd---but didn't hold up for me on other types of music. A bit sluggish and euphonic for my taste. I wouldn't hesitate to use Mcintosh with them though---and a number of folks on the Mac forums use them.

I wouldn't go larger than Kensingtons either---the big ones are really ugly imo.

Good luck,

KeithR
Mapman sums it up perfectly for me too - "Gotta hear these someday”. Other speakers that similarly intrigue me are those that use the PHY dual concentric drivers. Just wondering if anyone has heard both and could offer a comparison. I hope this isn’t a departure from the spirit of this thread.
I have been a Tannoy lover since discovering them in 1972. I have had 12" Monitor Golds in Altec Santana cabs since 1972,
SRM 15X monitors for a year, (15" HPD, 7cu.ft. cab) and just
received my Canterbury SE's 9 days ago. They have just started to relax and lose any artifacts of glare or harshness. I am using a Primaluna Prologue 5 amp with KT88's,
AVA Super PAS 3i pre with Amperex 12AX7 line tubes and Mullard 12AX7 phono tubes, NAS Interspace/RB250/Grado Gold1,
(well-tweaked), it is glorious and naturally musical. I have
a Robertson 4010 amp and a pair of Bottlehead 300B Paramounts which I have not hooked up to the Canterbury's yet. The 300B's are a little cleaner but challenged on orchestral/choral workhorses. The Primaluna has no neg feedback so is very good.

I value the 15" woofer a great deal, there is no problem at the crossover, and these are very modern speakers.
James63,
75dB is definitely lower than I listen, and I've got the system balance optimized for my (higher) preferred levels. Our ears' frequency response sensitivity changes with SPL (e.g. Fletcher-Munson curves), so I would definitely set the system up differently. That said, the Kensingtons are so responsive to upstream gear (e.g. tube changes) that this should be achievable.

My current system is built with an emphasis on a warm, sweet and prominent midrange, with smooth top end (that won't kill my ears) and strong bass. For lower SPL levels, I'd want to focus relatively more on treble & bass. At my levels, the bass feels deliciusly plentiful and powerful, with no artificial boost necessary. In other words, there isn't any 1 system configuration for any 1 speaker that will be optimal at different volume levels. That said, the Kensingtons are capable of superb bass reponse - and here you can truly say "excellent bass reponse" without the usual qualifiers: "for a small-ish floorstander" or "for a monitor". Anytime I see a qualifier like that, no matter how sugar-coated, I stop reading further! You need serious size for real bass quality & quantity; the Kensingtons are the entry level to "big boy" sizes, and Tannoy knows how to use it.

Going a step further - I know how you feel when you look at the Glenair 15" and start thinking it must have even better bass response. I've heard them on my own amp & preamp (though only for a couple of hours), and though awesome, they didn't fully blow me away. The slightly sweet midrange of the Kensington wins it out for me. I didn't hear it give significantly better bass response either; it may be (wild guess here) that more of that extra size went to efficicency rather than bass extension. I should also note that both the Glenair 10" and Kensingtons seriously hopped-up their bass response when driven by a super-powerful tube amp (Rogue Apollos). Also, a couple of my friends heard the same setup and feel that the midrange on BOTH the Glenair 10" and Kensingtons are superior to the Glenair 15". I personally didn't hear any anomolies that could be attributed to the crossover; I just liked the Kensigtons better. Didn't do quite enough comparison to formulate my own midrange opinion on Glenair 10" vs. 15"; but my feeling is that it's close.

I've also heard the Churchill Widebands in a fully different system, and now THAT'S where the Tannoy 15" shows superior bass response! Seriously, seriously wicked dynamics in that system - best I've ever heard. Clean and neutral overall tonality. But again, the Kensingtons have a touch of midrange sweetness that I'm just drawn to - like an RCA black plate 12AX7/12BH7 or a Koetsu Platinum. When I looked at the Yorkminster & Canterbury I wondered whether they would have the Kensington's mids PLUS the Churchill's bass and dynamics. However, my friend with the Churchills has heard the Yorkminsters, and says that the mids on the Kensintons are just unique - in fact he said his Tannoy contact said they've got the best mids in the Prestige line. This friend also recently bough the Kingdom Royals, which I'm going to have to hear soon :P
Mulveling,

Thanks again for another detailed responce. You have pretty much covered all of my questions. I think I will pass on the use Glenair 15" and keep an eye out for the Kensington or Glenair 10. It needs to be used though so I can sell it if I don't like it for minimal loss... I have no dealer anyway.