I owned 3.5Rs before I went up to 20Rs and had a chance to try out several power amps. I don't know what your budget is, but here goes.
On the cheap, Bryston does a pretty good job. I had a 4B ST, initially. Good low end control, decent midrange and ok top end. I could and did pop tweeter fuses with this amp.
Next up was a weekend shootout between a Krell FPB300 and a Levinson 335. Neither of those were cheap at the time, but the comparison was interesting. The 335 exhibited all of the customary Levinson virtues - smooth, powerful, nice coherency. And uninvolving. The music just wasn't grabbing us as we listened to the 335. Switching to the Krell changed all of that. That amp did a much better job of delivering the musical experience. Everything we listened t owas more involving and compelling. Iron-fisted bass control. Detailed mids and a smooth clean top end. The Krell had a 'grab factor' that the Levinson jsut didn't have.
I subsequently bought one of the few Krell KSA 250S that were made. Perhaps it was pride of ownership, but it did seem to sound more musical than the FPB 300.
Used Krells would be a good bet, budget allowing.
The best amp I ever heard was the Pass Labs X350 that I now use to run the MG20Rs. If your budget allows and you can find one of these bad boys used, go for it. You won't be sorry and it'll do wonders for your 3.6Rs.
The thing to have in mind is that the 3.6Rs are wel lworth the price of high-quality amplification. And they'll let you hear each and every improvement that you make - and each and every shortcoming of everything else in the system. Synergy is everything with these speakers. Interconenects and speaker cables will make or break the overall sound no matter what amp/preamp combo you're using. But get it all right, and you've got musical bliss.
On the cheap, Bryston does a pretty good job. I had a 4B ST, initially. Good low end control, decent midrange and ok top end. I could and did pop tweeter fuses with this amp.
Next up was a weekend shootout between a Krell FPB300 and a Levinson 335. Neither of those were cheap at the time, but the comparison was interesting. The 335 exhibited all of the customary Levinson virtues - smooth, powerful, nice coherency. And uninvolving. The music just wasn't grabbing us as we listened to the 335. Switching to the Krell changed all of that. That amp did a much better job of delivering the musical experience. Everything we listened t owas more involving and compelling. Iron-fisted bass control. Detailed mids and a smooth clean top end. The Krell had a 'grab factor' that the Levinson jsut didn't have.
I subsequently bought one of the few Krell KSA 250S that were made. Perhaps it was pride of ownership, but it did seem to sound more musical than the FPB 300.
Used Krells would be a good bet, budget allowing.
The best amp I ever heard was the Pass Labs X350 that I now use to run the MG20Rs. If your budget allows and you can find one of these bad boys used, go for it. You won't be sorry and it'll do wonders for your 3.6Rs.
The thing to have in mind is that the 3.6Rs are wel lworth the price of high-quality amplification. And they'll let you hear each and every improvement that you make - and each and every shortcoming of everything else in the system. Synergy is everything with these speakers. Interconenects and speaker cables will make or break the overall sound no matter what amp/preamp combo you're using. But get it all right, and you've got musical bliss.