MIT Love 'em or Hate 'em


Has anyone else noticed that audio stores that carry MIT think there is no better cable type and stores that don't carry MIT all think they are terrible. Is this sour grapes or is something else going on here?
bundy
Maxiepooh - I read your system outline and I agree wholeheartedly that you need filtered wires. If I were you I would consider more MIT for loudspeaker cables ... -or- unload the ARC stuff and replace it with real hi fi.

Your first sacrifice - unload the SP9 and find something like a used CAT SL1 or Counterpoint SA-11. Get some fresh tubes and burn it in ... then take that magicbox out and realize that it was taking the snazzle out of the uppermid/lowertreb glare on the SP9 - and you'll also hear way deeper into the music.

Next - out with the VT 50. Wimpy. Try getting an old Jadis Defy 7 Mk.II or above. Pull the magicbox out and hear the real magic of real tubes done really well. The Mk. I - bad idea, might catch fire. The Jadis combined with the CAT or Counterpoint pushing the Vandies - you'll shit a new VPI Brick after you realize what you've been missing. Especially if you get yourself a nice pair of Kimber 4Ag to drive the 2ce's with.

The 2Ce's are great speakers - they need great electronics in front of them.

Aloha
unclekrusty he da man...he sure knows what he's talking about, at least as far as my pair of ears go!
Tried several other highly regarded cables with my system and went back to MIT. What I hear that sets the MIT apart from the other cables is the layering of soundstage and incredibly real and focused image. To me it is night and day. I would like to know if any MIT supporters agree and how MIT opponents can possibly disagree. And how is equalization and/or filtering even relevant?