Bob,
IMHO, the XD is a terrific system. However, the DEQX processor included
with that set-up doesn't do digital room correction ("DRC") like a
full blown DEQX or the SMS-1 or any of the Audyssey powered alternatives.
It effects crossovers in the digital domain and corrects for some system
misbehaviors, but not for room specific anomalies. If your room happens to
be very good to outstanding, the difference may not be all that great. If it's a
more typical environment, you'll hear the difference.
If you search these forums for "NHT XD" , you'll find discussion of
a vendor selling the subs and sats at very steep discounts. You could add a
full blown DEQX unit (and 4 channels of amplification) and get
the benefits of DRC, albeit for a fair bit more than the current asking price for
a new XD. This "hybridized" XD based system would then provide full range
room correction and execute all x-overs digitally. By contrast, the SMS-1
that I use only treats the bass region, where most of the serious room
problems are found.
Some people will protest that the XD subjects the entire signal to A/D/A
processing, which is true. I've done A/B comparison to test whether this is
audible in my system. I tried my system with my SMS effecting both high
pass for the mains and low pass for the subs - which converts the entire
signal from analog to digital and back again, just like the XD. Then I tried
using an NHT analog high pass filter for the mains with the SMS on-line for
the subs, but completely out of the main signal path. I believe that I heard a
difference, so I stuck with the NHT for high pass. To be clear: any audible
difference was TO MY EAR very slight and one that's certainly pretty benign.
Nonetheless, I got queasy with it. That's why I don't use the high pass in the
SMS-1. I will note that anyone less audio-diseased than me might well
dismiss this objection as "silly". I wouldn't necessarily argue with
that. Some people object to full range A/D/A, others don't - so it's your call.
Marty
IMHO, the XD is a terrific system. However, the DEQX processor included
with that set-up doesn't do digital room correction ("DRC") like a
full blown DEQX or the SMS-1 or any of the Audyssey powered alternatives.
It effects crossovers in the digital domain and corrects for some system
misbehaviors, but not for room specific anomalies. If your room happens to
be very good to outstanding, the difference may not be all that great. If it's a
more typical environment, you'll hear the difference.
If you search these forums for "NHT XD" , you'll find discussion of
a vendor selling the subs and sats at very steep discounts. You could add a
full blown DEQX unit (and 4 channels of amplification) and get
the benefits of DRC, albeit for a fair bit more than the current asking price for
a new XD. This "hybridized" XD based system would then provide full range
room correction and execute all x-overs digitally. By contrast, the SMS-1
that I use only treats the bass region, where most of the serious room
problems are found.
Some people will protest that the XD subjects the entire signal to A/D/A
processing, which is true. I've done A/B comparison to test whether this is
audible in my system. I tried my system with my SMS effecting both high
pass for the mains and low pass for the subs - which converts the entire
signal from analog to digital and back again, just like the XD. Then I tried
using an NHT analog high pass filter for the mains with the SMS on-line for
the subs, but completely out of the main signal path. I believe that I heard a
difference, so I stuck with the NHT for high pass. To be clear: any audible
difference was TO MY EAR very slight and one that's certainly pretty benign.
Nonetheless, I got queasy with it. That's why I don't use the high pass in the
SMS-1. I will note that anyone less audio-diseased than me might well
dismiss this objection as "silly". I wouldn't necessarily argue with
that. Some people object to full range A/D/A, others don't - so it's your call.
Marty