Most Realistic Recordings


I was recently listening to my daughter practice the piano and I was enjoying quite a full-body sonic experience. I later went to my system and picked out a few piano recordings that I suspected were recorded well, but as I listened, I just didn't have anything close to the same experience. The piano just didn't sound right, nor nearly as full as I had just experienced while listening to my daughter. I know what pianos sound and feel like. I grew up playing many different types and understand their differences. I've done some research on recording pianos and have learned they are particularly difficult to record well.

As I've delved deeper into this audio hobby/interest and acquired more respectable gear, the more general question that keeps coming to my mind is this: How did this music sound at the time it was recorded? (presuming it was a person playing an instrument, not something "mixed" or electronic). Meaning, if I had been in the room, would I have heard or felt the same? Or is there something about the recording setup/micing/mixing/etc. that has failed to capture the moment? Or has the audio engineer intentionally filtered some of that out?

Now, being an audiophile (i.e., a music lover) has many paths and many goals. For me, I love lots of different kinds of music and am not too caught up in the ever changing landscape of audio gear and the need to try something new. I hope to get to the point where a well-captured recording sounds realistic in my room on my system. I like full-spectrum sound (i.e., if the note/sound is in the track, I want to hear it). I know that accurate, realistic reproduction through any system is depends a great deal on the equipment and the room it's being played back in. I don't expect my system to give me that jaw-dropping "I'm there" experience (yet), but some day I hope to get there.

So, to my question above, I would very much love to hear if anyone feels they have heard an album, a track, a recording of some kind that could be used to test out the "realism" of one's system. What would you say is a recording that more accurately captured the sonic hologram of the moment it was performed. Any genre is ok. And if you think a particular studio/company does this well, I'd love to hear about it!

And, please, I don't want the conversation to about gear or room treatment. This is about the recording itself, the source material, and how accurately the entire moment is captured and preserved. I respect everyone's personal experiences with your system, whatever it's comprised of. So, please don't argue with each other about whether a recording didn't sound realistic to you when it sounded realistic to someone else. Let's be civil and kind, for how can you deny what someone else's ears have heard? Thank you! I'm excited to learn from you all!

tisimst

So many great additions to my list of classical music to try out. I don't often listen to classical and I now have a full list to dive a little deeper into thanks to this thread. Appreciation to everyone for posting and the OP for starting the thread.

 

I was recently considering starting a similar thread since there is often talk about a system that can produce that "Live" sound. Since you want live here are contributions I find well recorded and worthy of mention.

 

Led Zeppelin - "How The West Was Won"

Unsure how such a fantastic recording comes out of a live concert from 1972 in Long Beach from a band known for poor production quality. Side 1 is fantastic.

 

Mark Knopfler/Emmylou Harris - "Real Live Road Running"

I listen and feel deprived. Of all the concert missed! The whole album is a pleasure.

 

Shawn Colvin - "Live"

A recent find, thanks to Roon/Qubuz, from an artist I've followed since her first album in the 80's and recorded in my town. A guitar and Mic. Simply perfect.

 

--Another Jerry

 

 

I wouldn't say it's exactly realistic, but it sure is exciting: Talking Book by Stevie Wonder. Stevie plays every instrument on some tracks, including drums (and blind at that!). "Superstition" rocks like mad, especially the clavinet and drums.

@fstein 

It's not the recording. It's the speakers.

We both know that speakers are the weakest link in the audio reproduction chain. That's kind of why I left speakers (or electronics, or room, or setup, etc.) out of my question, because I don't want the infinite variety of gear to dominate the conversation. Every piece of hardware, from the moment the sound wave hits the microphone's diaphragm, to the time a new soundwave is created by the speaker, changes the signal to some degree so that what we end up hearing is not quite what was originally produced. Some pieces of gear affect it more, others less so. I think we can all agree on that. This is why I left my question more subjective.

I want to hear if you feel like you have heard a recording, whether on your system or elsewhere, that you felt sounded more real than not. Because, if you have heard something like that, then someone else might, too, even on a different system from yours! It might be the clarity and soundstage of the presentation, it might be the ambience was captured particularly well, it could be that the relative dynamics from each "voice" (whether human or instrument) was as balanced as if heard in person, it could be that you felt that "full body" experience you get when you are at an in-person event. It's up to you! If you've had that experience, I'd love to know what you heard so that I can try it out, too.

 

@lrlacosse 

Ahh!!  The search for the Holy Grail!   That's why we are all here!

It could be. I like great sounding music. Sometimes I'm really in the mood to hear something as if live, but not most of the time. Any suggestions for me of something you heard that had a more realistic feeling?

 

@larry5729, @snilf@manogolf, and @bdp24  thank you for all those suggestions!

i would imagine that at least in theory [i've never been privileged to hear an ambisonics recording on a full height-channel ambisonics system] that the full [height channel] ambisonics recordings in the right room would be the literal height of aural "you are there" realism. 

My best recordings were engineered by Rudy VanGelder at his NJ studio during the late fifties, early sixties. I have a copy of Rhythmstick, which was recorded there in the final years of it's existence (1990). It was co-produced by Creed Taylor who founded CTI Records.  It features Dizzy Gelespie, Art Farmer, Phil Woods, Bob Berg, Airto Moriera, Flora Purim, Jimmy McGriff, Robben Ford, Rumaro Lubambo, and notable others. It sounds fantastic as do most of the Rudy VanGelder engineered recordings.

Also, most anything mastered by Bernie Grundman sounds great as well.