As a mastering engineer who has heard pre and post MQA for what it is, please ... it’s not a "good sound". 24 bit files are all we need, to be "in the studio" and to "hear what the artist intended"
Unless you like harmonic distortion and Mid/Side eq changes, stick to the actual mix files, at whatever is the native sample rate (higher rates are not better, another myth used to sell gear)
Stuart and Co are about securing income in a world post Netflix where video has dried up for them, it’s not hard to figure out. Money is a powerful force on anyone’s ears.
If you search Bob’s own words on You Tube (sorry can’t find the link off hand), he has said that 24 bits is all anyone needs (in a video formats discussion 4 years ago) then suddenly PCM is fatally flawed?
Batch processing of my work, by labels, is happening as we speak. It’s not "Authenticated" as a master by me, or my clients ... it’s just another lossy codec.
Unless you like harmonic distortion and Mid/Side eq changes, stick to the actual mix files, at whatever is the native sample rate (higher rates are not better, another myth used to sell gear)
Stuart and Co are about securing income in a world post Netflix where video has dried up for them, it’s not hard to figure out. Money is a powerful force on anyone’s ears.
If you search Bob’s own words on You Tube (sorry can’t find the link off hand), he has said that 24 bits is all anyone needs (in a video formats discussion 4 years ago) then suddenly PCM is fatally flawed?
Batch processing of my work, by labels, is happening as we speak. It’s not "Authenticated" as a master by me, or my clients ... it’s just another lossy codec.