Hello mijostyn,
Thanks for the clarifications on your system. I know 'ESL' is usually an acronym for electrostatic loudspeaker but mistakenly thought the Acoustat 2 + 2 were planar-magnetic speakers. I now understand they're ESLs with the '2 + 2' designating there are two 94" tall panels utilized for each channel, meaning they're technically not a pair of speakers but a quartet of speakers. My mistake.
Ever since I bought my 2.7QRs used about 2001 I've been experimenting with single and dual subs in an attempt to incorporate good bass response and impact in the 20-35 Hz range I knew they were lacking. After a lot of research and some luck, this led to my learning of the 4-sub distributed bass array (DBA) concept and buying the Audio Kinesis Debra 4-sub DBA system on a trial basis about 4 yrs ago.
My current thinking is that this DBA system has provided such accurate, detailed, smooth, natural, dynamic and extended bass down to being flat at 20 Hz while also seamlessly integrating with the quality and speed of my planar speakers in my room, that I honestly feel very fortunate to have this high a level of bass quality in my system.
I realize, however, that a linear bass array sub configuration could provide even better bass performance in my system and room than my distributed bass array.
I'm hesitant to find out, though, for several reasons. I have a much better comfort level with the distributed array concept due to a better understanding of the physics and psycho acoustics involved than I do with the linear array concept, the distributed array is already completely hooked up and working extremely well and my wife and I are also very pleased that the 4 subs in my room are currently so physically inconspicuous and well integrated into our combination living, music and ht room. In addition, it would likely take a large room rearrangement just to give the linear bass array a try and there's no guarantee I would prefer it either.
I wanted to respond to your questions and suggestions from your last post, too. My listening chair is backed up to and centered along my room's 16' rear wall. But I move it about 3 feet out into the room for serious and prolonged listening sessions for better soundstage imaging. My panels are always a minimum of 3 feet and sometimes more away from the pair of subs behind them. Both sub 10" drivers are also facing the front wall and not directly into the back of these panels. I notice no detrimental effect in any frequency range from this positioning.
You also stated: "You have two subs back there with you and you hear those fractionally before you hear the ones on the front wall. This will smear transients. You want to hear all your subs at exactly the same time."
It's my understanding that the time-domain on frequencies under 100 Hz are not as critical as some believe. I also read an article on an experiment proving we don't even detect deep bass sounds until the entire frequency soundwave cycle exists in the room. The experiment consisted of subjects wearing headphones. A series of computer generated partial and full cycle deep bass tone soundwaves were played and the subjects only were able to detect the bass tones in which the full cycle was played and no sound at all when the partial cycles were played. As you know, it takes some time and distance for a full 56 foot long 20 Hz soundwave to develop in a 23 x16 foot room.
Tim
Thanks for the clarifications on your system. I know 'ESL' is usually an acronym for electrostatic loudspeaker but mistakenly thought the Acoustat 2 + 2 were planar-magnetic speakers. I now understand they're ESLs with the '2 + 2' designating there are two 94" tall panels utilized for each channel, meaning they're technically not a pair of speakers but a quartet of speakers. My mistake.
Ever since I bought my 2.7QRs used about 2001 I've been experimenting with single and dual subs in an attempt to incorporate good bass response and impact in the 20-35 Hz range I knew they were lacking. After a lot of research and some luck, this led to my learning of the 4-sub distributed bass array (DBA) concept and buying the Audio Kinesis Debra 4-sub DBA system on a trial basis about 4 yrs ago.
My current thinking is that this DBA system has provided such accurate, detailed, smooth, natural, dynamic and extended bass down to being flat at 20 Hz while also seamlessly integrating with the quality and speed of my planar speakers in my room, that I honestly feel very fortunate to have this high a level of bass quality in my system.
I realize, however, that a linear bass array sub configuration could provide even better bass performance in my system and room than my distributed bass array.
I'm hesitant to find out, though, for several reasons. I have a much better comfort level with the distributed array concept due to a better understanding of the physics and psycho acoustics involved than I do with the linear array concept, the distributed array is already completely hooked up and working extremely well and my wife and I are also very pleased that the 4 subs in my room are currently so physically inconspicuous and well integrated into our combination living, music and ht room. In addition, it would likely take a large room rearrangement just to give the linear bass array a try and there's no guarantee I would prefer it either.
I wanted to respond to your questions and suggestions from your last post, too. My listening chair is backed up to and centered along my room's 16' rear wall. But I move it about 3 feet out into the room for serious and prolonged listening sessions for better soundstage imaging. My panels are always a minimum of 3 feet and sometimes more away from the pair of subs behind them. Both sub 10" drivers are also facing the front wall and not directly into the back of these panels. I notice no detrimental effect in any frequency range from this positioning.
You also stated: "You have two subs back there with you and you hear those fractionally before you hear the ones on the front wall. This will smear transients. You want to hear all your subs at exactly the same time."
It's my understanding that the time-domain on frequencies under 100 Hz are not as critical as some believe. I also read an article on an experiment proving we don't even detect deep bass sounds until the entire frequency soundwave cycle exists in the room. The experiment consisted of subjects wearing headphones. A series of computer generated partial and full cycle deep bass tone soundwaves were played and the subjects only were able to detect the bass tones in which the full cycle was played and no sound at all when the partial cycles were played. As you know, it takes some time and distance for a full 56 foot long 20 Hz soundwave to develop in a 23 x16 foot room.
Tim