Neutral electronics are a farce...


Unless you're a rich recording engineer who record and listen to your own stuff on high end equipment, I doubt anyone can claim their stuff is neutral.  I get the feeling, if I were this guy, I'd be disappointed in the result. May be I'm wrong.
dracule1
Bel Canto ref1000m amps.  

Integrated amp in second system is Bel Canto c5i

Roger wrote,

"geoffkait

Would you settle for whatever distortion you get in the concert hall during a live performance?

Its nothing but air which is a linear transfer medium.

If it did exactly the same thing in your home would you say "this is just like being there"? If not then some kind of distortion is happening at home and the alternative medium [electrical] transfer of sound waves does not match the purity of air.

It is a simple concept. Make the electronics act like air.
It requires that you match the velocity of air which is zero with no wind.
The sound waves velocity riding on top of a zero velocity (air) results in a single un-modulated constant speed of Mach One (about 750 mph)
When that happens you will not be able to tell them apart."

This is no longer a theory."

The problem with your argument is that there are many other sources of distortion in the home audio system other than the amplifier; thus, even though you might have solved this particular problem in an audio amplifier, I still cannot say to myself, "This is live." It is a logical fallacy that one can automatically achieve audio nirvana using an ideal amplifier, assuming for a moment that is what yours is. Things are just not that simple. There are distortions associated with speakers, with room acoustics anomalies such as slap echo, standing waves, reflected waves, with the effects of seismic vibration, the effects of mechanical vibration of motors, transforrmers, etc., the effects of static electric fields on the CD or LP and cables, the effects of induced magnetic fields in the wires and cables, the very large induced magnetic fields in large honking transformers, distortions resulting from wire and cable and fuses being installed in the wrong direction, distortions due to local environmental influences (Morphic fields), improper speaker set up, not to mention weather effects, sun spots effects, time of day effects. In other words in order to achieve "live" the audiophile who is attempting to get into audio nirvana must pay attention to everything, not just the speed of acoustic waves in air.

geoffkait

It is a logical fallacy that one can automatically achieve audio nirvana using an ideal amplifier, assuming for a moment that is what yours is. Things are just not that simple

Your right things are not that simple. This is why it took 25 years of intense research targeting one problem - distortion in AUDIO amplifiers.

No one else has come close to a full understanding of the amplifying process used specifically for signals in the audio spectrum. Amplifiers used for radio, video, uhf, microwave etc. do not have to deal with delivering analog data from a different medium. Audio amplifiers require the total package that must include velocity. The signal has to return back to sound waves in your home. It cannot be done in an environment where the velocity is unchecked.

Try to remember back in the day when you may have went from a mid-fi Kenwood or Sansui receiver to your first real audiophile gear (most likely tubes) and what a stark day and night difference it made.  For you It was a whole new world of audio. Finally it sounded like real music.

Then there was the horror of new digital (CD’s) on the scene and all it did was give you stress and was not anything like a good analog front end.

(I'm sure most of you will say it is still the case)

Look at how difficult it was for me to explain the [fact] that there are 2 separate distinct speeds happening in the amplifier.

1)     Electricity traveling at (speed of light)

2)     Electrical signals representing sound waves traveling at (750 mph)

This is nothing new – if the wave phenomenon could not “flow” through the hardware at this speed you would not be able to use it for audio.

What I have done is to guarantee the flow will be at exactly one constant speed or velocity.

That was no simple - It takes control at quantum levels to achieve this function.

If the velocity is perfectly nailed down – you have emulated the properties of air.

It has never been done before. That’s why it is a breakthrough. That’s why when you hear it in operation it is not recognizable as electrically delivered sound.

All it takes is for people to be open minded enough to learn something new that directly impacts the world of entertainment.

Judge for yourself [after] you hear what it does

The worst skeptic is converted within seconds of exposure to this process.

They may have no idea how it was done - but now know it obviously works.

Roger