New Maplenoll Ariadne owner needing advice


I have recently purchased a maplenoll ariadne. I have tried to learn a little about the table but find very little information. I know the table was discontinued in the 90's but the little i have found indicated it is a very good table. I am interested to learn if there are any tricks or problems to optimizing this table. As most of you probably know, it is an air bearing platter and tonearm. I plan on putting my zxy airy 3 on the arm once I get it set up.
oilmanmojo
Oilman,

Looks very interesting. You may want to experiment with the angle of your counterweight. Lloyd recommends either down or even depending on the weight of the cartridge but never up.
I usually have it level but adjusted to get a better view of the zlift arrangement. THe reason up is not good is that a small move in arm height dramatically changes the force on the record. You were right on about the diameter of the wire. Ugh, 50 bucks down the drain! I am back at trying to handle the smaller diameter wire. thanks as always for your tips
I finished the wiring on the arm using the lighter weight, silver wire. At the point, I am going to take a break from tweaking and just listen a while. The silver wire has resulted in a brighter high frequency and more resolution of the highs. Cymbals, glass bells, etc have far greater clarity, also I have found i need less volume from my system to get the same sound levels (using a sound meter). Not sure if this was just from the silver wire compared to the stock copper wire, or the fact I am going right from the tonearm to the stepup. (less length of cable and few connections). I still need to hook up the dampening trough but pretty impressed with the new setup
Oilmanmojo: Just a tad too busy with non-audio stuff. Great pic's and information.
Crem1
Thanks for the kudos and speedy recovery. You will be in our prayers. I will have some pics of the oil dampening system in this new configuration soon. Still experimenting with different viscosity of oil and tapered pins to optimize the dampening. I found out pretty quickly, too much dampening is not a good thing. You lose the delicate details pretty easy.